One by one the more vigorous sports and exacting games fall away. Exceptional exertions are purchased only by a more pronounced and more prolonged fatigue. Muscles may relax, and feet and hands slow down; the nerve of youth and manhood may become less trusty. But painting is a friend who makes no undue demands, excites to no exhausting pursuits, keeps faithful pace even with feeble steps, and holds her canvas as a screen between us and the envious eyes of Time or the surly advance of Decrepitude. Happy are the painters, for they shall not be lonely.
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NPR, 14 December 2009 source ↗
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View all 59 →That I didn’t appreciate the smaller joys in life.
Getting older doesn’t scare me.
I was looking at ageing in action, in black-and-white MRI pixels, death and dissolution foretold, and already partly achieved. My 70-year-old brain was shrunken and withered, a worn and sad version of what it once must have been. There were also ominous white spots in the white matter, signs of ischaemic damage, small-vessel disease, known in the trade as white matter hyperintensities – there are various names for them. They looked like some evil pox. Not to put too fine a point on it, my brain is starting to rot. I am starting to rot. It is the writing on the wall, a deadline.
More from Diana Athill
View profile →These matters have become discussable with one’s friends, not, of course, as a frequent part of gossip over lunch in the dining room (our only communal occasion) but from time to time, perhaps when admiring someone’s stoicism if their frailty is becoming painfully apparent, or feeling sad at someone else’s inability to accept what seems to be imminent. As a result of this openness, I think that most of the people here would consider it foolish to be frightened of being dead. All of us, however, feel some degree of anxiety about the process of dying.
That process depends on what you are dying of. The body can fail in ways that are extremely distressing, slowly and painfully, demanding much stoicism, or it can switch off with little more than a flash of dizziness. In my family we seem to have been uncommonly lucky in that respect. There was the 82-year-old uncle who was at a meet of the Norwich Stag Hounds, enjoying a drink with friends, when crash! And he fell off his horse, dead. There was the cousin in her eighties who fell dead as she was filling a kettle to make tea, and the other cousin, 98, who slipped away so gently that the sister who was holding her hand didn’t realise that she had stopped breathing.
The contributor to the programme I remember with the most pleasure is the man who said that not existing for thousands and thousands of years before his birth had never worried him for a moment, so why should going back into non-existence at this death cause him dismay? Everyone laughed when he said that and so did I, and as I laughed I thought: “Dead right!”
I can’t remember when I read, or was told, that he considered it a good thing to spend a short time every day thinking about death, thus getting used to its inevitability and coming to understand that something inevitable is natural and can’t be too bad, but it was in my early teens, and it struck me as a sensible idea. Of course I didn’t set out to think about death in a regular way every day, but I did think about it quite often, and sure enough, it worked. Why coming to see death’s naturalness should have caused belief in an afterlife to melt away, I am unsure, but it did.
So, when many years later I really was near death as a result of a haemorrhage after a miscarriage, and heard a doctor saying “She’s very near collapse – call the lab and tell him to run” and understood that the “him” was the person fetching the blood they were going to pump into me, I was not in the least alarmed as I dimly wondered if I had the strength left to think some suitable Last Thought, concluded that I hadn’t, and said to myself the words: “Oh well, if I die I die.” I was sure, then, that nothingness was just that.
That this was true, I owe to Montaigne. I can’t remember when I read, or was told, that he considered it a good thing to spend a short time every day thinking about death, thus getting used to its inevitability and coming to understand that something inevitable is natural and can’t be too bad, but it was in my early teens, and it struck me as a sensible idea. Of course I didn’t set out to think about death in a regular way every day, but I did think about it quite often, and sure enough, it worked.
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