He asked me to go through the evidence of the cases, which I did. And at the end of it he said, “Well, you have one thing missing.” I said “What, I thought I covered all of the bases. I made the best arguments that I think the evidence would support.” And he looked at me, and he said, “That may all be true, but you’re missing passion. You related this crime and your evidence in a very impersonal way. How did you make the jury want to convict?” I said “Well, the judge charges them, tells them they have to convict if I prove my case.” And he said, “No, sentencing, not sentencing, finding someone guilty is a huge responsibility. You have to make people believe it’s what they have to do. And you have to make them believe that the evidence that you’ve presented gives them basically no choice.” And so I said, “How do you do that?” And he explained to me that it’s in the manner that you present your case. It’s in the manner that you show how passionately you believe in what you’re doing. And in how much you believe that you’ve actually proven your case and that they must return a verdict of guilty. And his words have led me to believe that that passion is what guarantees success in life.

“What sound does that color make?” Yeah, that was a question of hers in fifth grade. And I was like, “Well, colors don’t have sound.” And eventually, she said, “You know red sounds different than blue.” And I, “Yeah, red sounds angry, blue sounds —” And so she was pushing me into, “Here’s your simile, here’s your metaphor. This is all you’re going to need. Run, my child.”

My dad always told me and my two brothers, “Don’t ever get too proud or too old to say that you love me and to say that you love each other.” “Love” is a pretty commonly used word in our family. When I talk to my brothers now on the phone midday, we always end the conversation saying, “I love you. I love you, bro.”

Well, I remember Steven Spielberg was incredibly informed about lenses and technical things, and that made him very instinctive in terms of how he directed: “Do it quicker, faster, something’s not right.” He is totally spontaneous, he doesn’t try to measure his direction but it’s very true, it’s very direct and for that reason, very exciting.

Well, I mean, obviously, as I said, Richard Rodgers, very obviously say, composers like Prokofiev, like Gershwin, all of these, the great musical theater writers. I would add, as melodists, I think if you were talking about the great melodists of the 20th century, I would put Paul McCartney in there. I would definitely put Rodgers. I would definitely put Prokofiev. I’d definitely put Gershwin because he died so young, but definitely would put him there. And those, of course, in the theater side of things, I’d definitely put Hal Prince