How much rewriting or revision do you do?
Originally asked
The Paris Review, to novelists and poets, The Art of Fiction
A recurring Art of Fiction craft question, sometimes asked about daily rewriting and sometimes about the number of drafts.
You answer as yourself. Nobody on FLAPSS answers as anybody else.
From what I said, it might seem like I pile up all this mental whatever and then BOOM, out pops a poem! It’s really not like that at all. I was simply speaking of the composition process, not the full process. So, yes, I go through the arc of associations, memories, thoughts, until I get to something that feels summative. That’s draft one. Then, for the rest of the existence of the poem, until it’s published or discarded, I read through it, and when I come to something that doesn’t feel right, I imagine where it could go instead. I think that’s what most people do? I do massive revisions to what I write over time. Two writers I’ve collaborated with, G.C. Waldrep and Kristina Marie Darling, both of them are much more assured with what they make than I am. Or at least, that’s how it feels to me. When we’d revise together, their revisions were much more of a honing, while mine would be dumping three quarters of the poem and putting a whole new thing in there. I hope I didn’t frustrate them too much. I know I did at least a little.
Tony Leuzzi, The Brooklyn Rail, In Conversation, 1 April 2020 source ↗