Most scientists do. Of course there are the classical figures. I might talk about Einstein a little bit, for example. Now, when I was in college, I was taking my second course in physics, I remember very well, and it had a chapter on relativity. And I took this relativity on a vacation in the mountains; my family went with me. And I remember very well sitting on a rock up in the hills there overlooking a stream, reading this relativity derivation. And it was just very exciting and interesting. It was a strange new world, relativity. I even thought I had found where Einstein made a mistake. And I went back for lunch, and I thought about it, came back. And I said, “No, he was right after all,” but it was still very exciting. To see a completely different kind of idea and world from what one’s normal intuition shows. Of course, Einstein was one of the great scientists; I’ve always admired him. I fortunately had a chance to talk with him and interact with him a little bit as well.
Originally asked
The Paris Review, to novelists and poets, The Art of Fiction
A durable Art of Fiction question asked through named literary influences and artistic models.
You answer as yourself. Nobody on FLAPSS answers as anybody else.
Academy of Achievement interview, 2006 source ↗
Others on this question
View all 41 →Actually, I started falling in love with the films of Brian De Palma. He was the first filmmaker I ever loved, he always made genre films. They touched me more, they felt warm, and human, and unsettling. There was always his vision behind them.
The films that influenced me were so disparate that there’s almost no pattern. Stanley Kubrick was an influence because I loved 2001: A Space Odyssey. and the more I learned about him and his methodology the more I realized what a rigorous intellectual exercise filmmaking was for him, and I was inspired by that.
Well, I mean, obviously, as I said, Richard Rodgers, very obviously say, composers like Prokofiev, like Gershwin, all of these, the great musical theater writers. I would add, as melodists, I think if you were talking about the great melodists of the 20th century, I would put Paul McCartney in there. I would definitely put Rodgers. I would definitely put Prokofiev. I’d definitely put Gershwin because he died so young, but definitely would put him there. And those, of course, in the theater side of things, I’d definitely put Hal Prince
More from Mohamed ElBaradei
View profile →Well, many. I think Steinbeck, for example, was one of my favorites, Somerset Maugham, Hemingway. Quite a few.
I think that is the most important lesson you learn in life, that you have to be ready to make a compromise. You do not compromise your principles, but you have to be ready to compromise. You have to understand that you cannot get your way 100 percent. Life is too complicated. You are not an island, and you work in a social setting, and you need to understand that you work always — at the family level, at the society level — to work out the compromise that is perceived to be fair. You don’t get 100 percent of what you want, but at least you will get the basic minimum that you require.
First of all, you learn to manage stress. You learn to live with stress. I mean, stress is there all the time. There’s no question about it. It’s in the morning. It’s at night. It’s at 3:00 in the morning, but you need to learn how to manage stress. Sometimes it’s more difficult than others, but you try to distract yourself. Whenever I have the chance, I like to go and have a round of golf. I have a passion for modern art. I have a passion for antique carpets, classical music. To me, these are distractions, and sometimes my wife, she think I’m obsessed with these little things, but I tell her it is my way of distracting myself from just constantly continuing about my work. But the stress is there. But sometimes, the euphoria you get from a sense of achievement in many ways compensates all the stress you had for a year or two.
Unfortunately, I don’t. My wife now reads fiction. I don’t have the time to read fiction. My wife reads the fiction and summarizes it to me, but I wish at one point I’ll have time again to read fiction. It is a luxury I cannot afford right now.
I think it’s more modeling. I never bring in my children and say, “Listen, these are the values you should follow in life.” I think it’s a modeling by my wife and me. I think we give them a good life. They saw how we go through life: a difficult time, a hard time, good time. I am very happy. I think they are good kids. If I have hope, it’s because I look at my children.
I have a lot of respect and admiration for President Carter. It was a delight when I got the Nobel Peace Prize to get a letter from him. It meant a lot to me, getting that letter from a man who is my idol in many ways. ... He always has the courage to express his views, his convictions. He doesn’t hesitate to run against the current. He has always had a moral certitude. He looks at the ethics and morality of his action, and that’s key. Whatever we do in life, whether privately or publicly, we need to have a compass. We need to be sure that what we do is not only good for us, but good for the people at large. That’s ethics. That’s morality. I think we need to always know that our work is not just good for us in the short term, but it’s morally correct. And when I talk about morality, I don’t talk about religion. I talk about a moral code, a moral value, which I think we all have, being honest, being fair, being correct. These are values I think we all share.
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