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Hilary Mantel

Novelist and critic

United Kingdom · 1952–2022

English novelist, best known for the Thomas Cromwell trilogy of Wolf Hall, Bring Up the Bodies and The Mirror and the Light. She won the Booker Prize twice, in 2009 and 2012, and also wrote criticism and a memoir, Giving Up the Ghost.

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What does the first sixty minutes of your day look like?
I used to be a late starter, but now I get up in the dark like a medieval monk, commit unmediated scribble to a notebook, and go back to bed about six, hoping to sleep for another two hours and to wake slowly and in silence. Random noise, voices in other rooms, get me off to a savage, disorderly start, but if I am left in peace to reach for a pen, I feel through my fingertips what sort of day it is.

Recorded The Guardian, 'My writing day' series, 16 April 2016 source

What is something everyone in your world agrees about that you think is wrong?
Some writers claim to extrude a book at an even rate like toothpaste from a tube, or to build a story like a wall, so many feet per day. They sit at their desk and knock off their word quota, then frisk into their leisured evening, preening themselves. This is so alien to me that it might be another trade entirely.

Recorded The Guardian, 'My writing day' series, 16 April 2016 source

When you feel overwhelmed or unfocused, what do you do?
If you get stuck, get away from your desk. Take a walk, take a bath, go to sleep, make a pie, draw, listen to ­music, meditate, exercise; whatever you do, don’t just stick there scowling at the problem. But don’t make telephone calls or go to a party; if you do, other people’s words will pour in where your lost words should be. Open a gap for them, create a space. Be patient.

Recorded The Guardian Review, 20 February 2010 source

What is the book you have given most as a gift, and why?
Read Becoming a Writer, by Dorothea Brande. Then do what it says, including the tasks you think are impossible. You will particularly hate the advice to write first thing in the morning, but if you can manage it, it might well be the best thing you ever do for yourself. This book is about becoming a writer from the inside out. Many later advice manuals derive from it. You don’t really need any others, though if you want to boost your confidence, “how to” books seldom do any harm.

Recorded The Guardian Review, 20 February 2010 source

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