It all depends. I attack and then keep attacking them until they tell a story and maybe it’s boring or discordant or I’m not interested in that story anymore, so then I put them away. Sometimes for a year. And then I take them back out and if I disagree with something strongly it’s kind of exciting because I can really be loose on the canvas. When I’ve worked on something for years there are moments where it could be a little scary to be so loose, because you’re destroying so many hours of work. But I think that’s why when I’m a little delirious in the middle of the night the magic happens, or it doesn’t. So sometimes I then work toward building different parts of the painting, and then there’s a new story. If it doesn’t have a story to tell, I’d eventually declare it’s a dead painting. In which case, a la poubelle , to the garbage.
Recorded Phong H. Bui, The Brooklyn Rail, In Conversation, 1 May 2024 source ↗