For me, nothing’s ever really done. I have to be cut off because I could record infinitely, so usually a record is done when it has to be, with some kind of created deadline. Or if somebody I’m working with says it’s done, that helps, because I’m just so unhinged that I need limitation. You can make a really great record with limitations. Limitations help incubate a specific thing. If you got to do whatever you want for as long as you want, you might not have that kind of magic.

I have to tell you that I have never let anything [long] go, ever. Not these four books. I’ve let go of lots of short stories. I haven’t become a seasoned enough short story writer to practice it. I’ve let many of those go, and almost don’t do it anymore. But in terms of longer work, for whatever reason, I’m properly calibrated to that length.

Sometimes I know, sometimes I don’t. It depends artistically, or pragmatically, on the steps that I’m taking. “How am I creating this?” Sometimes I set parameters to cut myself off, and I find mixed results. For this album, specifically, I worked closely with Cooper Crain, who co-produced it. Most of the time, I wanted to go five steps further and he said, “No. This is it. It’s done.” I found myself trusting his judgment in that. In hindsight, I think it was important for this album. It would be totally different if I just kept digging and digging. A lot of times, I dig until it’s totally decimated. Really, I’ve just turned something into nothing again. For this album, I utilized Cooper as kind of a guide. It was much more collaborative in that way, where he was like, “This is done.” Or, “Let’s push this further.” He gave me that foresight.

For me a story is done when I can read it and not cringe. When I’m revising a story, I focus on what’s not working. I usually set something aside for a little bit, and if I come back to it and feel that it’s complete, I trust that sense. You kind of know.

You know, I have doubts, but the images, like the movies, always inspire me. So when I’m empty, vacant, I start watching any movie, b-class, c-class, it’s okay. B-class kung fu movies are so inspiring. The music, for kung fu movies, very old kung fu movies, not sophisticated ones, is so inspiring. They’re so wild. I was watching those kung fu movies while I was making async .

Listening to the sound of rain. Almost every time it rains, I start recording it. Almost each day. What else? Sensing the movements of the wind. Those very subtle things give me so much pleasure.

It’s wasting time to listen to music when you go outside because there are so many interesting noises. For example, every time it rains, I open the window and put the recorder outside. I should always be ready to be surprised, like by the siren of a patrol car in Barcelona and other cities. I hit things, on the street or anywhere, to check the sound—until I find the perfect idea of sound. I haven’t found it yet and am always searching.