There’s a first part of observing the thing, or having the idea, but then a huge amount of the next step’s work is: “What do I want to do about it? What form should it take? What am I going to do now do about it having observed it?” That is sometimes a part where it can take a long time to work out. Sometimes I get stuck. Sometimes I change my mind or have to think of very different strategies to figure out what the right one is.

I have a DJ side that I’ve developed, and so when creative blocks hit me I tend to spin a lot more than usual. Also, just trying my hand in other fields. I’m looking at sewing classes the next time I have a creative block.

I love reading diaries of artists and writers because it’s really hard to explain the creative life to the average person. People always ask me, “What do you do all day?” Your daily life can feel a little bit indulgent. When I read diaries and letters, I’m always struck by how banal it all is. It’s not about creating most of the time. It’s just about living. I find great comfort in those texts.

I get really mad, and I’m like, “Well, I have to solve it.” I think of these things sometimes even as math problems. I take a photo of it, I turn it away, and I look at it in my phone a lot. An image becomes much less scary to solve when it’s not eight feet tall, but it’s eight centimeters tall. When I’m going to bed, I’m obsessively in the finger drawing app on my phone, and I try and figure out what to do with it. Eventually, I’ll figure out the answer, and then turn the painting back around and fix it, but it’s way harder to do when you’re just staring at the giant thing.