How do you know when a piece of work is finished?

Originally asked

The Creative Independent, to working artists, its interview series

A repeated process question in The Creative Independent, asked across visual art, music, writing, performance, and mixed media.

You answer as yourself. Nobody on FLAPSS answers as anybody else.

Recorded Simon Starling said elsewhere, not written here
I don’t know if they ever really are. I mean, there are often works that you make for a particular moment and then maybe the next time you show them, you show them in a slightly different way so that they become more precise or more communicative. So they’re constantly evolving. Also, when you stick one work next to another work, suddenly it has a new resonance. You could almost argue that, in that new context, it’s a new work again. So I don’t know if you ever really finish anything.

The Talks, 2 October 2019 source ↗

Others on this question

View all 67 →
Marissa Zappas Perfumer and writer
I think it’s similar to writing a poem, in a way. It’s almost like, when there’s nothing left to remove from the formula, it’s done. Or honestly just when I get tired of working on it, that’s real.
Recorded Shy Watson, The Creative Independent, 25 November 2022 source ↗
Stephen Talasnik Installation artist and sculptor
The quote of “unfinished, but complete” was first introduced to my lexicon when I was studying the drawings of Michelangelo. I read about his work, and one of the art historians of the time said his drawings were purposefully left unfinished, but there was a sense of completeness to them. That was the philosophy I used as my religion, which was to create something that appeared unfinished but had a spiritual completeness to it.
Recorded Max Freedman, The Creative Independent, 27 March 2024 source ↗
Kevin Shields Irish musician
My mind is nearly like an infinite tunnel of potential ideas, but the ideas are all a part of what is already there. In my imagination, I always think there are more parts to record. Then when I work it through, I make it to a certain point and I’m like, “Actually, that’s enough.” Some of the extra bits that I’m thinking of are suggested anyway by interaction with what is already there, and it gets to a point where to add anything more would just be too much. I often imagine recording parts that people actually do hear, but are not actually there. By the time I’m done with the main guitar and other elements, [more parts] don’t capture anything else with all those suggested things. If I try to realize them, it’s less effective. I think that’s why people have often said they hear different things depending on how they listen to [our music].
Recorded Gary Canino, The Creative Independent interview source ↗
Willa Bennett Magazine editor in chief and poet
You just have to call it eventually. [For example,] technically speaking, yes, our September Issue is done. It has shipped. But do I feel finished with it? Never. We were ambitious with this issue—we decided we couldn’t platform just one, “face of fashion” and instead went with three exciting covers who each have added something unique to the conversation about style. Having one solid image for a magazine cover is one thing, but it’s another to say something through three rich stories. It was an exciting challenge, and I give my incredible team a lot of credit for their dedication and endless hours. I can’t wait for you to see it.
Recorded Madeline Howard, The Creative Independent, 17 August 2023 source ↗

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