Well, Tour continues because I exhibit it with a growing archive of performances. For instance, I have something upcoming that I’m working on at Pioneer Works with Stanley Love and his dance troupe. It’s exciting, and it keeps the project present and alive. So this particular project, Tour Without End, becomes self-fulfilling.
Originally asked
The Creative Independent, to working artists, its interview series
A repeated process question in The Creative Independent, asked across visual art, music, writing, performance, and mixed media.
You answer as yourself. Nobody on FLAPSS answers as anybody else.
Anupa Mistry, The Creative Independent, 17 March 2022 source ↗
Others on this question
View all 67 →Songwriting-wise, it’s very easy to tell. Sometimes I’ll write a full song with a chord progression that I like, but it won’t feel like the final thing I have to say about a topic. Like, these aren’t the right words. I haven’t gotten to the [core] of what I want to say—I know it’s there, but I haven’t reached it. I’ll usually take that chord progression and write something else with it. And I’ll just keep writing songs until I get to the bottom, just digging layer after layer after layer, and eventually I’ll get to the truest form of that song, and the truth behind what I was trying to say. When I’ll get there, I don’t know, but I’ll always know when I haven’t.
It really comes down to instincts. If I feel good about it and the people that I trust that are listening to it feel good about it, then it’s good to go. But it’s definitely just a feeling you get in your gut that it’s done, and it’s time to either release it or can it and move on.
I think I’m more attuned to a popular… I grew up watching MTV and listening to three-minute songs, and I also don’t like concerts that are too long. A concert can be seven hours and not be too long, but sometimes a concert is forty-five minutes and it’s too long, and you’re uncomfortable, like, “It ended fifteen minutes ago, why do you keep making sound?” Or those situations where someone is playing and they’re fading out and you have this feeling of, “Yeah, it’s ending, yes, now, definitely,” and then they start again and you say, “No!” [ Laughs ] For me, moving over an hour or so, it goes into a different territory where I lose my sense of form. And then it becomes more like the chord in space. Installation format is where I would go after an hour.
More from Chitra Ganesh
View profile →I don’t know. How do you start a project?
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