Do you rely on inspiration or discipline to make work?
Originally asked
The Creative Independent, to working artists, its interview series
A repeated Creative Independent tension, asked as inspiration, muse, discipline, ritual, or the requirement to show up.
You answer as yourself. Nobody on FLAPSS answers as anybody else.
Recorded
Esperanza Spalding
·
said elsewhere, not written here
I don’t remember which writer said this, but in an interview, a prolific novelist was asked, “Do you write only when you’re inspired, or do you write all the time? Do you wait for the muse, or do you just kind of knock it out? You can just sort of spin it out?” And he said, “Well, I do wait for the muse. I write when the muse comes, but fortunately she shows up, like me, every day at 9:00 a.m.
Academy of Achievement interview, San Francisco, California, 13 September 2014
source ↗
Spencer Bailey
Journalist and editor; co-founder of The Slowdown; host of Time Sensitive
“
And that’s a fine balance. It’s something I’ve really struggled with: slowing down and letting go of that urgent feeling of creative energy that’s bubbling up within me at all times; this urge I have to create, this endless urge. When I let go of that, it’s almost like a form of peace washes over me, where I’m so much more relaxed and at ease with whatever project it is I’m doing. If you become too all-consumed by a project, it becomes hard to actually see beyond that.
Recorded
The Talks, published interview, 1 January 2025
source ↗
“
A writer is no different than a bricklayer or a bus driver in that sense. You must have discipline. Oscar Wilde said that writing is 10 percent genius, 90 percent discipline. You must have discipline for writing. It is not an easy task. It is very lonely. You’re all alone. You are not in company. You are not enjoying yourself in that sense. You are enjoying yourself in another sense. You are delving into your depths, but you are profoundly lonely. It is one of the loneliest careers in the world. In the theater, you are with companions, with directors, actors. In film. In an office. In writing, you are alone. That takes a lot of strength and a lot of will to do it. You must really be in love with what you’re doing to tolerate the huge loneliness of writing.
Recorded
Academy of Achievement interview, Los Angeles, California, 2 June 2006
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Denton Cooley
Cardiothoracic surgeon; founder of the Texas Heart Institute
“
I think so. I really do. With your own effort, you can improve yourself, but people find they can’t improve beyond a certain point. I like to play golf, but I know that no matter how much I practice, I will never get above a certain level. I think that’s also true of surgery. Some people are born with the gifts and the mind for surgery, and they may go on to great heights. Others may try and try, only to reach a certain plateau.
Recorded
Academy of Achievement interview, Houston, Texas, 11 April 1991
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Suzan-Lori Parks
Playwright, screenwriter and novelist; Pulitzer Prize for Drama, 2002
“
It’s just a devotion to the greater beautiful thing that allows us all to be here. It sounds a little “woo-woo,” but basically, it’s manifested in me because I’m a writer. I get up every morning, and I write. I sit. As Paul knows, I sit. I have my notebook. I’m scribbling. “Don’t talk to me right now, honey. I’m writing.” That’s my thing. That’s how I manifest it. Someone who runs the hurdles, or a tennis player, would manifest it daily, going out there and hitting balls or whatever they do.
Recorded
Academy of Achievement interview, Washington, D.C., 22 June 2007
source ↗
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