How does a new work begin for you?

Originally asked

The Paris Review, to novelists and poets, The Art of Fiction

A recurrent craft question in The Paris Review's Art of Fiction interviews; wording varies between character, theme, first sentence, image, and idea.

You answer as yourself. Nobody on FLAPSS answers as anybody else.

Recorded Phyllis Bramson said elsewhere, not written here
With a lot of fear and trepidation. It’s totally improvisational because I work with collage, and cut up found warehouse paintings. I’ll sometimes stick a fragment or two on, and just try to figure out where to go from there. I’ve begun to think that I make each piece so differently from the other, and I don’t think that’s the way the art world likes things at this point. I think they like increments of change. While you would know it’s my work, I think I just always liked the challenge of how I’m going to compose. I get myself into a lot of trouble and hot water, and I just have to work on it, and work on it. I think that’s why some of my paintings are so awkward and odd, because I’ve had to deal with mistakes that I’ve made, and tried to correct them in some way.

Annie Bielski, The Creative Independent interview, 19 July 2019 source ↗

Others on this question

View all 61 →
Ernest Greene musician, visual artist
That’s tough. At this point, with both visual art and music, I’ve done it enough where it’s very much this flow state where I’m not really thinking about any technical stuff. I’m just putting one thing down, and that leads to the next thing, and then you’re off to the races. There’s very little rationalization or any real plan, especially at the very beginning of the project. It’s literally just trying things to see where I can end up. As an album project starts shaping up, there’s a handful of songs or maybe…there’s some parameters in place, and you’re working within that.
Recorded Max Freedman, The Creative Independent interview, 27 September 2024 source ↗
Chaitanya Tamhane Indian filmmaker
I think the starting point has changed for me over the years. I think with Court , The Disciple and the short film, it was the setting, the world that got me interested. It was very sort of driven by fascination and curiosity, and a very unconditional kind of curiosity, where it’s like, “Let’s just immerse ourselves into this world that we have no idea about.” And hopefully a plot, a certain theme or certain characters will evolve and emerge from there. And now after The Disciple , which takes place in the Indian classical music scene, I want to work even more from sort of an inside-out manner, where it’s the themes, and it’s my concerns, and my worldview that comes first. But then again, there’s no one rule, right? It’s always going to be different for every story, for every film.
Recorded The Talks interview, 22 December 2021 source ↗
We never enter into new recording projects thinking, “Yeah we’re gonna write something great here!” A lot of the time it’s a feeling like, can we write anything else? Is there anything else to say? You know what I mean? There’ll always be things to say, but if we can’t dress it up right, then it’s game over. It feels like a pretty honest place to start from: What is there to say?
Recorded T. Cole Rachel, The Creative Independent interview, 13 March 2017 source ↗
Ramin Djawadi Film and television composer
I’m very much like Hans, yes! I think part of the reason is just because I learned from Hans, he has been a big mentor and a great friend for me, and I remember when he told me this, it actually made me feel comfortable in my process! We’re the same way, and so that actually made me relax a bit. Once I realized that, it helped me to see that the steps I need to take, you know, sitting down, thinking about what were my initial ideas? What instrumentation do I need? You just place yourself into the project and the ideas will hopefully come. Sometimes it comes easier than other times, sometimes it’s tough especially when a deadline is looming… But that’s the nature of the game. I just try to do the best I can do in the moment.
Recorded The Talks interview, 30 April 2025 source ↗

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