It’s just a devotion to the greater beautiful thing that allows us all to be here. It sounds a little “woo-woo,” but basically, it’s manifested in me because I’m a writer. I get up every morning, and I write. I sit. As Paul knows, I sit. I have my notebook. I’m scribbling. “Don’t talk to me right now, honey. I’m writing.” That’s my thing. That’s how I manifest it. Someone who runs the hurdles, or a tennis player, would manifest it daily, going out there and hitting balls or whatever they do.
Originally asked
The Creative Independent, to working artists, its interview series
A repeated Creative Independent tension, asked as inspiration, muse, discipline, ritual, or the requirement to show up.
You answer as yourself. Nobody on FLAPSS answers as anybody else.
Academy of Achievement interview, Washington, D.C., 2 December 2007 source ↗
Others on this question
View all 25 →Well, the reason I’ve survived for this long is because any film composer that has an extended career learns to work within deadlines. The deadline becomes the motivating factor in the same way that a pro athlete can do these incredible things with two seconds left in the game. It forces them into their best mode. For film composers, the clock does get us into a higher gear.
And that’s a fine balance. It’s something I’ve really struggled with: slowing down and letting go of that urgent feeling of creative energy that’s bubbling up within me at all times; this urge I have to create, this endless urge. When I let go of that, it’s almost like a form of peace washes over me, where I’m so much more relaxed and at ease with whatever project it is I’m doing. If you become too all-consumed by a project, it becomes hard to actually see beyond that.
It comes out of an intuition, or a learned intuition, I guess. You study a long time ’til you can do it. But it’s from looking around you, it’s from understanding what’s happening in the culture, what’s happening in the world.
More from Carlos Slim Helú
View profile →Well yes, but like I said, small mistakes or small failures. We take small failures very often. We have failures in investment. We have failures in operation, but no big mistakes or big failures. How do we take that? Like ordinary business.
The first thing to recommend is that they don’t work in some place that they don’t like, that they don’t do things that they don’t like. That they look for what they really want to do and what kind of thing they want to be involved in, or if they want to go it alone by themselves, to find that.
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