Do you rely on inspiration or discipline to make work?

Originally asked

The Creative Independent, to working artists, its interview series

A repeated Creative Independent tension, asked as inspiration, muse, discipline, ritual, or the requirement to show up.

You answer as yourself. Nobody on FLAPSS answers as anybody else.

Recorded Carlos Slim Helú said elsewhere, not written here
It takes a combination of ways to do these things, more than discipline. It’s a way of life. It’s like diet or gymnastics. You can know all the gymnastic things, all the exercises. You can know all the diets, but if you don’t do the diets, if you don’t do the exercise, it won’t work. It’s the same if you have some rules, but you don’t live them. It doesn’t work.

Academy of Achievement interview, Washington, D.C., 2 December 2007 source ↗

Others on this question

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Suzan-Lori Parks Playwright, screenwriter and novelist; Pulitzer Prize for Drama, 2002
It’s just a devotion to the greater beautiful thing that allows us all to be here. It sounds a little “woo-woo,” but basically, it’s manifested in me because I’m a writer. I get up every morning, and I write. I sit. As Paul knows, I sit. I have my notebook. I’m scribbling. “Don’t talk to me right now, honey. I’m writing.” That’s my thing. That’s how I manifest it. Someone who runs the hurdles, or a tennis player, would manifest it daily, going out there and hitting balls or whatever they do.
Recorded Academy of Achievement interview, Washington, D.C., 22 June 2007 source ↗
Danny Elfman Film composer and songwriter; founder of Oingo Boingo
Well, the reason I’ve survived for this long is because any film composer that has an extended career learns to work within deadlines. The deadline becomes the motivating factor in the same way that a pro athlete can do these incredible things with two seconds left in the game. It forces them into their best mode. For film composers, the clock does get us into a higher gear.
Recorded The Talks, published interview, 12 August 2022 source ↗
Spencer Bailey Journalist and editor; co-founder of The Slowdown; host of Time Sensitive
And that’s a fine balance. It’s something I’ve really struggled with: slowing down and letting go of that urgent feeling of creative energy that’s bubbling up within me at all times; this urge I have to create, this endless urge. When I let go of that, it’s almost like a form of peace washes over me, where I’m so much more relaxed and at ease with whatever project it is I’m doing. If you become too all-consumed by a project, it becomes hard to actually see beyond that.
Recorded The Talks, published interview, 1 January 2025 source ↗
Frank O. Gehry Architect; winner of the 1989 Pritzker Prize
It comes out of an intuition, or a learned intuition, I guess. You study a long time ’til you can do it. But it’s from looking around you, it’s from understanding what’s happening in the culture, what’s happening in the world.
Recorded Academy of Achievement interview, Los Angeles, California, 27 September 2016 source ↗

More from Carlos Slim Helú

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Question What advice would you give your twenty-year-old self, and what should they ignore? Time & hindsight
The first thing to recommend is that they don’t work in some place that they don’t like, that they don’t do things that they don’t like. That they look for what they really want to do and what kind of thing they want to be involved in, or if they want to go it alone by themselves, to find that.
Recorded Academy of Achievement interview, 2 December 2007 source ↗

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Arlo Parks, Athol Fugard, Carlos Fuentes, Charles H. Townes, Chris Cole, Danny Elfman

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