Well, what's very interesting is that those people read our opinions which can be, at moments, rather animated. An animated exchange in writing among the justices. And many people who read our opinions think we have to be at each other's necks constantly. It's interesting we're not. When we're talking about cases at our conference it's generally a conversation. It's really a talk about what our perspectives are and why we have reached the conclusions we've reached.

It is simplistic in the following sense that you cannot institute democracy from above. It’s a very difficult process. And democracy is not the only dimension of institutions that matters. Although my work does emphasise that democracy by itself matters as well. But the problem is really alive today in the industrialised world, where you would think, and many political scientists have claimed that democracy is safe and secure and would never be under threat. It is under threat. Support for democracy is at an all time low, not just in the US, although really jarringly in the US but not just in the US, throughout the western world. So democracy is not easy to make work because democracy is about democratic citizenship. It’s about consensus, it’s about communication. It’s about accepting defeat, making compromises, talking and understanding the other side. All of those things are always difficult. They become more difficult during times of turbulence, which, you know, we are living through and they become harder when the infrastructure, for example, the communication infrastructure, makes this sort of democratic citizenship harder, which I think is not the only factor. But social media has certainly played that role.

I started reading poetry in primary school—Victor Hugo, the romantics, and the Parnassians—they were part of the curriculum. In my grandfather’s library there were some anthologies of nineteenth-century poetry. Alfred de Vigny impressed me most; indeed I won a competition by reciting Vigny’s “Moses” with an enthusiasm that touched the examiner. In fact this poem and “La Maison du Berger” are among the most beautiful poems in the French language, unfairly neglected today.

Unfortunately. And it’s mostly a made-up story. It was incredible to see how it was created here. All over the news: Muslim rage or whatever. The rioting was not about being Muslim. These people have not been able to integrate. So if they have a crisis of identity, it’s forced upon them. If, after three generations of living in France, Arabs are still called Arabs and not French, then of course they will be angry. People ask why the Arabs don’t consider themselves French. Well, it’s because the French don’t consider them French. Then you had the Ministry of the Interior talking about cleaning the scum off the street. That doesn’t justify the violence—they don’t have the right to burn cities—but it explains what happened.

I dreamt of being an astronomer, I had a series of How and Why Books on the planets and the stars.

When Adèle walked down the road at the end of the film Blue Is The Warmest Colour.

Choosing parts is based on a series of instincts and hunches

A panic attack on stage during The Importance Of Being Earnest. Well, it felt like death.

Yielding to the wrong sort of melancholia.

You now have to address the fact that we might live in so-called wealthy countries at the expense of people who live in poor countries. Our wealth is maybe dependent on somebody else from the poverty side of the equation, suffering on our behalf.