Which writers or artists most influenced your work?

Originally asked

The Paris Review, to novelists and poets, The Art of Fiction

A durable Art of Fiction question asked through named literary influences and artistic models.

You answer as yourself. Nobody on FLAPSS answers as anybody else.

Recorded Geoffrey Rush said elsewhere, not written here
The constant touchstone for me has been the Lecoq school and the mask work and clowning in Queensland

The Guardian, 15 July 2013 source ↗

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Marco Brambilla Video artist and film director
Yeah, of course! I think they made that way back in like 1968 with an optical printer where they had to keep shooting each section. It was made for IBM. The idea of virtual travel versus physical travel, the idea of exploration.
Recorded The Talks, published interview, 28 January 2015 source ↗
Suzanne Farrell Ballerina and ballet master; répétiteur for the Balanchine Trust
That’s an easy question. It was, of course, George Balanchine. He came from Russia via Europe and settled in America in 1933. He started a little company which was not very successful, so he had to start over and over again. Ultimately, he founded the New York City Ballet. I happened to be born at the right time, came to the right place, and had the fortune to audition for him, and work with him, because he is the genius of the century of ballet. I learned how to dance with him.
Recorded Academy of Achievement interview, New York City, 16 December 1990 source ↗
David Herbert Donald, Ph.D. Historian; twice winner of the Pulitzer Prize for Biography
Professor Randall was a great advisor and a great mentor. He taught me, I think, in the best possible way. He was not a brilliant lecturer. His courses were fairly pedestrian. I didn’t think his seminars were particularly interesting. But working with him on a one-to-one basis as his assistant, I think that’s the way one has to learn to be a historian. That is, he was writing, and if he needed some particular reference, I had to go find it and get it. If he was writing, he wanted everything checked meticulously over and over again. So I had to take the manuscript over to the library and check it all out. So that by working closely with him, I got to see, first of all, a lot of the library and its extensive holdings, but I got, even more important, to understand what a scholar is about. It is about care. It is about “pains-taking.” It is about judgment as well as it’s about very skillful writing. He was an excellent writer as well. So in that sense, Professor Randall and Mrs. Randall shaped my future career.
Recorded Academy of Achievement interview, Lincoln, Massachusetts, 19 October 2007 source ↗
Gertrude B. Elion Biochemist and pharmacologist; Nobel laureate in physiology or medicine
It was a very important finding for us because we were involved in nucleic acids. There weren’t many people interested in nucleic acids. There weren’t many people who believed that was the way to find drugs. But when we found out the structure, and we began to understand what kind of bases could be incorporated, and which ones couldn’t, and where they could be incorporated, it put a whole new dimension on it. So it had a very significant effect.
Recorded Academy of Achievement interview, San Francisco, California, 6 March 1991 source ↗

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Niamh Cusack, Robert Wilson, Noah Baumbach, David Lynch, François Ozon, Marco Brambilla

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