Right, I went back as a mature student to art school, and I was advised to use my train journeys and commutes, or to just take time in the morning before work to sit down and write something. That was, I think, the beginnings of understanding what it meant to have a writing practice.

It goes back to that music teacher when I was 12 years old. After the third lesson, I was singing some popular country song of the day. I forget the name. I think it was a Hank Williams, no, it was too early for Hank Williams, I guess. Whatever the song was, I didn’t sing it like the artist had sung it on the radio. And she said, “You’re a song stylist.” She said, “Always do it your way.” And from the age of 12, I didn’t forget that.

Her lesson all the time was “To them to whom much has been given, of them will much be required.”

It became such a big part of my life that even when I sleep in past 6 o'clock in the morning, I feel guilty because I hear my father's voice saying, you know, Arnold, that's not how this country was built, by sleeping in. Be useful. Do something. What are you doing now?

Well, I mean, obviously, as I said, Richard Rodgers, very obviously say, composers like Prokofiev, like Gershwin, all of these, the great musical theater writers. I would add, as melodists, I think if you were talking about the great melodists of the 20th century, I would put Paul McCartney in there. I would definitely put Rodgers. I would definitely put Prokofiev. I’d definitely put Gershwin because he died so young, but definitely would put him there. And those, of course, in the theater side of things, I’d definitely put Hal Prince