There was. The critical moment for me was in the 11th grade. My biology teacher, Mr. McKenzie, decided that what our school needed was a theater arts program and we didn’t have it. There was wrestling, basketball, football, it was a very jock oriented school and there was no theater program whatsoever. So we started a theater program from scratch. We bootstrapped it. He taught it, and I think he might have done it for nothing. We had to build the props and the scenery and the costumes and do everything ourselves. We had to turn the stage into a proper working stage. It took a year, but we started putting on our own productions. I think that was really a pivotal moment. My biology teacher was our muse at that time. And I think the fact that we were having to do everything, that it wasn’t handed to us, may have created a kind of a work ethic that paid off then in independent film production because it’s the same thing. You know, you’re finding scraps and bits and pieces, and putting it all together and putting on a show. And it’s that sense of being able to create some moment of glory, some showmanship — out of nothing, out of baling wire — that is maybe a lesson that was learned there as a result of this man who just decided to have a theater arts program.

My family, I would say, my mother, and my maternal grandparents. I grew up with them. My mother was a teacher in a little school, and she believed in freedom and equality for people, and did not have the notion that we were supposed to live as we did, under legally enforced racial segregation. She didn’t believe in it.

I had a number of very strong personalities in my family. My father was a concert flutist, the solo flute for Toscanini. That was an unusual profession for a kid to have as his father. He would dress up in a tuxedo. A concert musician has to practice a lot, and my earliest memories are of that. He was a great musician, very knowledgeable, and he used to tell us the stories of the operas, and all about the composers. He had a lot of knowledge, and he would make a point of telling us about it. I had an older brother who was five years older than me. He was a very successful student, a very handsome kid. Having an older brother by that many years was really an edge that I had. I had an older brother who would protect me. He was a very sensitive and talented boy, and he became interested in literature. So at the same time that I had all this information from my father, I also had a brother who was giving me books at a young age that I would not normally have run into. Brave New World, of course, which was fun, because it was sort of science fiction. As a kid, he was showing me books by James Joyce, and André Gide. So I was really stimulated at a younger age than I normally would have been exposed to that kind of thing.

I had an uncle that played a great role in my life as far as sports. Like I said, in the South we would always play like three or four o’clock in the afternoon. I would have to go to school, and he would do my chores. When I say chores, that means I had to cut the wood, I had to wash the clothes; I had to do everything that everybody in the house had to do. So he would do all that stuff for me, and I was very happy about it because I wasn’t about to mess my arms up and my hands, so I could go and play ball and didn’t have to do too much.

pick one job and delegate all the other tasks.

I prefer not to compartmentalize my life.

I just don't really see the dialectic between inside and outside, and corporate and revolutionary, as being as cut and dry as I used to.

I am my target audience

I need to know what my editing voice is

MOVE was very supportive through all of that. My wife had a natural childbirth — MOVE coached us through a lot of that.