It's hard - truthfully the main thing other than work is just making sure that I'm spending enough time with michelle and the girls. The big advantage I have is that I live above the store - so I have no commute! So we make sure that when I'm in DC I never miss dinner with them at 6:30 pm - even if I have to go back down to the Oval for work later in the evening. I do work out every morning as well, and try to get a basketball or golf game in on the weekends just to get out of the bubble.
Originally asked
The Creative Independent, to working artists, its interview series
The Creative Independent repeatedly asks working artists how they divide time between creative practice and administrative, family, or second-job obligations.
You answer as yourself. Nobody on FLAPSS answers as anybody else.
Marie Forleo, MarieTV, Marie Forleo source ↗
Others on this question
View all 8 →In the first 33 years of my life which is up until I climbed Everest, I was a very restless and slightly unhappy sort of person. I really didn’t have a great deal of social life, but I’d become very interested in adventurous activities. Perhaps, I was, in some respects something of a loner. But after I got married, that certainly changed my life very considerably, indeed. I found that it was possible to mix having a family with continuing on with adventurous activities, but I think a great deal of that was having a suitable wife. My wife was very, long-suffering. She knew that there were certain things I wanted to do and she was happy that I should do them. She was prepared to put up with considerable periods of being alone with the kids. She, was marvelous, so it made it possible for me to do the things that I wanted to do as well.
I would be able to shoot even more if I didn’t have the promotion and all these kinds of things to do. I would do it like Fassbinder — seven films a year — if I could. Making films is a pleasure for me.
You have to make sacrifices on either side. You also to have an understanding family, to know that there are going to be some sacrifices.
More from Cheryl Strayed
View profile →I have so many ideas and things bouncing around in my head that I’ve been wanting to write for years, but there are only so many hours in the day. I have books in me; I have stories I need to tell, both fiction and nonfiction; I have projects I want to do that would take me in different directions.
Some books I return to again and again: Alice Munro's books, but especially "Lives of Girls and Women," Toni Morrison's "Beloved," Mary Oliver's poetry collections, Raymond Carver's short stories, Joan Didion's essays. There are so many more! It's hard to name them all. Books are my cure.
I think it would be this thing that I learned when I was writing my first book. It would be surrender to your own mediocrity, which sounds kind of sad, right?
My first, most important mentor was Paulette Bates Alden, who taught at the University of Minnesota when I was a junior and senior there. I took my first fiction writing workshop from her. She was teaching in the MFA program and I was an undergrad student and such an upstart that I asked her to let me in the class. She was generous and great.
But a running theme has been how many men have said something along the lines of, “Wow, I was so surprised I loved your book, because I’m a man.” These men mean no harm—I don’t take those comments personally—and yet the fact that they were surprised that they loved a book by and about a woman is an indication of the sexism women writers are up against every time they write.
The main part of being a writer, though, is being profoundly alone for hours on end, uninterrupted by email or friends or children or romantic partners and really sinking into the work and writing.
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