I don't enjoy it but I know that I have got to live with [myself] if I'm not going to give it 100 per cent. The key thing is getting to the start line and knowing that I couldn't have done any more, that I didn't back off. You accept the pain, because if you didn't there would always be that element of doubt.

Well, that’s the optimistic reading of it, which you are never able to apply when it happens. You can read it this way when it’s over. Rationally speaking, it’s a period that’s needed, because the danger for every poet, I think, is to write too much. So these are the blessed moments of silence, protecting you from writing too many poems, diluting you and what you have to say in a stream of banal poems. It’s necessary, but still very painful, because I just don’t know what to do if I don’t write poems. I still survive, but it is painful.

These tics do bother me. Could I play a match without them? Yes, without some of them. I don't have to touch my nose or put my hair behind my ears before I serve. That's possible to stop. Not putting the bottles in front of my chair, I could go without that, too. But adjusting my underwear, that I could never get rid of. It's impossible.

I am my target audience

Sensitivity. Be sensitive in every way possible about everything in life. Be sensitive. Insensitivity brings indifference and nothing is worse than indifference. Indifference makes that person dead before the person dies.

I remember the awakening that occurred in me when I read, for the first time, Franz Kafka. ... That morning I was happy. I wanted to run out and embrace them, all these garbage collectors, because they taught me that there was another world than the world of Kafka, which is absurd and desperate, and despairing.

Well, naturally, my grandfather. He was a Hasid, meaning a member of the Hasidic community, and I loved him, I adored him. So thanks to him, I became a Hasid too. And my mother — who actually continued his tradition — she’s the one who brought me to Hasidic Masters. And all the stories I tell now — I’ve written so many books with Hasidic tales — these are not mine, these are theirs, my mother’s and my grandfather’s. My father taught me how to reason, how to reach my mind. My soul belonged to my grandfather and my mother. They enriched me, of course. They influenced me profoundly, to this day. When I write, I have the feeling, literally, physically, that one of them is behind my back, looking over my shoulder and reading what I’m writing. I’m terribly afraid of their judgment.

After the war — I was 15 when I entered the camp, I was 16 when I left it, and all of a sudden you become an orphan and you have no one. I had a little sister and I knew, with my mother the first night, that they were swept away by fire. My older sisters I discovered by accident after the war in Paris, where I was in an orphanage. But to be an orphan — you can become an orphan at 50, you are still an orphan. Very often I think of my father and my mother. At any important moment in my life, they are there, thinking, “What an injustice.”