Just by not giving up, I guess. It was extremely difficult. Oh god, I’m hesitant to think what this interview’s gonna look like… I don’t wanna seem like the guy who’s always doing difficult things. But yes, I had writer’s block. It was massive. And I came out of the recording session for Melana Chasmata thinking this was the most difficult album I’ve ever done in my entire life. And I had already thought that after Celtic Frost’s Monotheist and after the first Triptykon album. But now I find myself in a situation where I’m working on the third Triptykon album, and I have exactly the same feeling. So maybe I’m just psychologically sick. I don’t know.
Originally asked
The Creative Independent, to working artists, its interview series
A recurring Creative Independent question whose wording distinguishes a lasting block from a temporary impasse.
You answer as yourself. Nobody on FLAPSS answers as anybody else.
Betsy Morris, Fortune interview, Kona, Hawaii, March 2008 source ↗
Others on this question
View all 66 →If I start to feel stagnant, going to see a good show always helps. Watching a great band makes me want to play music. Like, when we opened for Queens of the Stone Age a few years back. I was unsure where I wanted to go next musically, and had a feeling, like maybe I should do another acoustic album… I was starting to put some invisible pressure on myself instead of letting my instincts lead. But after a couple nights of watching Queens play these rock ‘n’ roll songs that have been my favorites for years, it was like, “No, fuck that, I want to play heavy music and let some aggression out,” so then I started working on Abyss .
There’s a first part of observing the thing, or having the idea, but then a huge amount of the next step’s work is: “What do I want to do about it? What form should it take? What am I going to do now do about it having observed it?” That is sometimes a part where it can take a long time to work out. Sometimes I get stuck. Sometimes I change my mind or have to think of very different strategies to figure out what the right one is.
Yeah. The downside for me is, say I have something that I know is out of my comfort zone in terms of my ability, the discipline comes in where I know I have to do this thing that’s out of my comfort zone when it would be so much easier to get the immediate satisfaction from doing the thing that’s in my comfort zone and get the positive response 10 times over.
More from Steve Jobs
View profile →My job is to not be easy on people. My job is to make them better. My job is to pull things together from different parts of the company and clear the ways and get the resources for the key projects. And to take these great people we have and to push them and make them even better, coming up with more aggressive visions of how it could be.
I didn't see it then, but it turned out that getting fired from Apple was the best thing that could have ever happened to me. The heaviness of being successful was replaced by the lightness of being a beginner again, less sure about everything. It freed me to enter one of the most creative periods of my life.
We tried make something much more holistic and simple. When you first start off trying to solve a problem, the first solutions you come up with are very complex, and most people stop there. But if you keep going, and live with the problem and peel more layers of the onion off, you can oftentimes arrive at some very elegant and simple solutions. Most people just don't put in the time or energy to get there.
The things I'm most proud about at Apple is where the technical and the humanistic came together, as it did in publishing for example. The Macintosh basically revolutionized publishing and printing. The typographic artistry coupled with the technical understanding and excellence to implement that electronically--those two things came together and empowered people to use the computer without having to understand arcane computer commands. It was the combination of those two things that I'm the most proud of.
You know, Dr. Edwin Land was a troublemaker. He dropped out of Harvard and founded Polaroid. Not only was he one of the great inventors of our time but, more important, he saw the intersection of art and science and business and built an organization to reflect that.
We spent some time in our family talking about what's the trade-off we want to make. We ended up talking a lot about design, but also about the values of our family. Did we care most about getting our wash done in an hour versus an hour and a half? Or did we care most about our clothes feeling really soft and lasting longer? Did we care about using a quarter of the water? We spent about two weeks talking about this every night at the dinner table.
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