I always want to feel fresh when I do something. If I don’t have that excited feeling, it’s impossible to move people, and that’s the most important thing for me.

It sounds kind of jerky, but I feel like I suffer from an abundance of ideas, and the hardest part for me has always been editing and slowing down. Sometimes I just have to empty out that imaginary mental junk drawer. I literally have this mental image that I use sometimes where I’m just shaking out the junk drawer and throwing stuff away. Mental clutter is something that I have a problem with. At times, people in the studio will roll their eyes because I’ll be like, “Hey guys, look at this. I made this and it could be this color and we could do this or this!” Everyone’s like, “Calm down, Emily.”

I don’t. The process of trying to get to something is part of it. Sometimes I don’t have much of an idea initially. For me, studio time is also about reading and looking at things. I might spend a couple weeks just reading something or looking through images or doing image searches or going to museums and thinking in front of great paintings. And then at some point I start to get back to my own ideas and how they can form into something that has meaning for me.

There were a few times I got stuck and I would do automatic writing where you just decide, okay, for five minutes or eight minutes or 10 minutes, you just write and you don’t stop for a second, and you end up with pages and pages of stuff that way. And there’s stuff you can glean from it. There’s vague ideas or just a couple of sentences that’ll make you think of something. So that would be an easy-ish way to worm myself out of hitting a wall.