What do you do when you feel creatively blocked or stuck?

Originally asked

The Creative Independent, to working artists, its interview series

A recurring Creative Independent question whose wording distinguishes a lasting block from a temporary impasse.

You answer as yourself. Nobody on FLAPSS answers as anybody else.

Recorded Emily Fischer said elsewhere, not written here
It sounds kind of jerky, but I feel like I suffer from an abundance of ideas, and the hardest part for me has always been editing and slowing down. Sometimes I just have to empty out that imaginary mental junk drawer. I literally have this mental image that I use sometimes where I’m just shaking out the junk drawer and throwing stuff away. Mental clutter is something that I have a problem with. At times, people in the studio will roll their eyes because I’ll be like, “Hey guys, look at this. I made this and it could be this color and we could do this or this!” Everyone’s like, “Calm down, Emily.”

Brandon Stosuy, The Creative Independent interview source ↗

Others on this question

View all 66 →
Catherine Lacey English actress
The impulse to make something is generally related to something that you need to say. When it feels like a rock in your shoe or something, and you have to get it out. It’s very clear. Sometimes you get it out, and it’s not very useful. Often, I’ll finish working on something and it’s not in a state that I need to give it so somebody. The getting it out was necessary for me.
Recorded Maura M. Lynch, The Creative Independent interview source ↗
Layli Long Soldier American poet
For sure. I think that’s why I also work in other mediums. Sometimes I have the urge to make something. Sometimes I want to make a poem but at that moment I can’t for whatever reason, so I work with other materials. I like to do sculpture; my sculptures are usually more like objects. I also play music here and there, but I just do these things to kind of help me with writing… I use these other ways of making to help keep my wheels moving in one way or another, and eventually the language will come for writing. Sometimes I do get writer’s block, but I have never really viewed it in that way. I still try to make things even if I don’t have the language or words to put to it in at the moment.
Recorded Brandon Stosuy, The Creative Independent interview source ↗
Jorge Drexler Singer-songwriter and physician
I know what you mean, but there are two kinds of voids, the one that you work with and the one that you bear. I work with and try to generate a void. I pick up the guitar and I let my mind wander until it gets distracted and suddenly it lost its purpose. It’s just wondering between one chord and the other, one subject or the other, or maybe I would just be distracted watching a film and something moves me, or the light in the window and then I let that feeling guide me. I always use this metaphor. It’s like getting into a garden at night and suddenly perceiving a perfume of a tree or a flower. You don’t know exactly where it’s coming from, but you know there’s something there, so you start sniffing around until you find it. You get closer and closer to the source until you identify it. That’s the way I write. What I mean is that suddenly something crosses my mind and I just follow that. I try not to lead at the beginning. I try to follow and then whenever I find that I take, I use reason and I organize. I say, “Wait, I need a second part with the same structure. I need a bridge. I need a chorus. Let’s go. Let’s move to this place. Let’s change this rationally,” but the core has to be subconscious.
Recorded Miriam Garcia, The Creative Independent, 26 July 2022 source ↗
J'Kerian Morgan Musician and producer, recording as Lotic
I stop, but I don’t throw anything away. I don’t put pressure on myself to finish anything. I usually just think, “Okay I had this idea for a reason, but it’s just not working right now. Let me go take a walk.” I can only do like 20, 30-minute intervals, because I’m so fast. If I have an idea, I can get it down quickly. Once it’s down, it’s down. I don’t have to make a whole album out of it. I’ll literally just go outside for a walk for 20 more minutes and then come back. It depends on what the deadline is, but usually I’ll just write it down, make a little something, think about it for five or six days, and then go back to it.
Recorded T. Cole Rachel, The Creative Independent, 24 September 2018 source ↗

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