If by the second or third day I’m stuck and it’s not working, I usually will scrap it. I find an open tuning and start picking around until I find a melody or something I like. I follow that melody to the end of the song. I have to be willing to scrap the entire thing and move on because I can’t waste a lot of time. Everyone has a different approach with writing, this long excursion, excavating out of the ground, like you’re digging and finding it can be this long process. For me it’s more like following a bird. If it flies away too quickly, it just wasn’t meant to be.
Originally asked
The Creative Independent, to working artists, its interview series
A recurring Creative Independent question whose wording distinguishes a lasting block from a temporary impasse.
You answer as yourself. Nobody on FLAPSS answers as anybody else.
T. Cole Rachel, The Creative Independent, 24 September 2018 source ↗
Others on this question
View all 66 →I feel like that’s my actual profession: to get stuck and then get unstuck. That’s what I actually spend most of my time doing. It happens mostly in fiction for me. But maybe that’s what we all are doing all the time. That might be what life is, I feel like, is taking something as far as you can and then being like, “I actually don’t know what to do next.” And then, having to figure out, “Okay. So how is that an opportunity?”
There are a few. As far as getting started, lots of people who really want to make a song have figured that out already. I very rarely get asked for advice from people who have never written a song and want to know how to get started. It’s usually about getting stuck or feeling like they’ve painted themselves into a corner. I remember getting asked a question from this one kid who was probably 13 years old. He wanted to know if it was okay to always write in A minor. He liked writing classical piano pieces and his favorite key was A minor. My favorite key is also A minor, so he wanted to know if that was okay.
I’m very much like Hans, yes! I think part of the reason is just because I learned from Hans, he has been a big mentor and a great friend for me, and I remember when he told me this, it actually made me feel comfortable in my process! We’re the same way, and so that actually made me relax a bit. Once I realized that, it helped me to see that the steps I need to take, you know, sitting down, thinking about what were my initial ideas? What instrumentation do I need? You just place yourself into the project and the ideas will hopefully come. Sometimes it comes easier than other times, sometimes it’s tough especially when a deadline is looming… But that’s the nature of the game. I just try to do the best I can do in the moment.
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