We never enter into new recording projects thinking, “Yeah we’re gonna write something great here!” A lot of the time it’s a feeling like, can we write anything else? Is there anything else to say? You know what I mean? There’ll always be things to say, but if we can’t dress it up right, then it’s game over. It feels like a pretty honest place to start from: What is there to say?

That’s tough. At this point, with both visual art and music, I’ve done it enough where it’s very much this flow state where I’m not really thinking about any technical stuff. I’m just putting one thing down, and that leads to the next thing, and then you’re off to the races. There’s very little rationalization or any real plan, especially at the very beginning of the project. It’s literally just trying things to see where I can end up. As an album project starts shaping up, there’s a handful of songs or maybe…there’s some parameters in place, and you’re working within that.

Sometimes a title might occur to me. And a title will just stick out in my mind. And then I will think in terms, everything I think of I will think in terms of that title. For instance, I did a painting called Four New Clear Women . It meant, if women became powerful, and they are, like women who own large stock in the stock market, or become president like Golda Meir or Margaret Thatcher or Indira Gandhi, will they be “New Clear Women” or “Nuclear Women?” Will they blow us up, or are they smart? Something like that. So, then I met — there was this actress named Liv Ullmann, and she started painting. And she said, “Oh, what are you going to do next?” And I said, “I’m going to do The Persistence of Electrical Nymphs in Space .” And she said, “Oh, what’s that about?” and I said, “Well, that’s the sound of all the souls after the earth blows up.” And she says, “Oh, yeah.” That was very… she probably talked with Ingmar Bergman about that. But that was great. So those are titles that I would think about, before I would start working.

I like to get into a playful state of mind, in my home studio. To spend time tinkering and looking through stuff. I have a lot of objects in my life that inspire me, in general, like books, records, synthesizers, and cameras. I like to mess around with them and get into a headspace where I can say, “Okay, I’m going to make music for two hours, and then I’m going to write for two hours.” I’m excited to be in a place where that doesn’t have to be directed toward anything too specific, for the sake of doing it and seeing where I’m at right now.

By the way, the guys with very high grades are not necessarily the people that are the most successful in later life. They may be the ones that can regurgitate gracefully, and they get very high grades. But if the guys that have to work for it and do not have such good grades can do something extra, and prove that they can perform, they may have a chance.

I’ve been mortally opposed to the so-called life-and-death committees that were instituted. When there were many more patients that needed to be dialyzed, and not enough artificial kidneys available, you had the institution of the life-and-death committees. ... Depending on the answer to these questions, he could be dialyzed. Otherwise, he could go to hell. I’ve been mortally opposed to that. When I set up a dialysis center here with a grant from some government agency, I was forced to put in a life-and-death committee, but it never met.

In my early years it was undoubtedly my father. My father was director of a sanatorium for pulmonary tuberculosis, and at that time there were no antibiotics, tuberculosis was a terrible disease. And, he and I would walk in the woods around that sanatorium and he would discuss his worries about his patients. And from him, I certainly inherited this extreme concern about the well-being of patients. I’ve seen him very happy when he succeeded after months and months of rest and other things to have these people go home cured. I’ve also seen him crying and desperate after trying for a long time and a patient did not get well, and went home to die.

No. You see immediately what your next task will be. I’ve been asked all kinds of silly questions, like “Aren’t you proud? Aren’t you this? Aren’t you that?” I have no time for that, because the next project is upon me.