Most scientists do. Of course there are the classical figures. I might talk about Einstein a little bit, for example. Now, when I was in college, I was taking my second course in physics, I remember very well, and it had a chapter on relativity. And I took this relativity on a vacation in the mountains; my family went with me. And I remember very well sitting on a rock up in the hills there overlooking a stream, reading this relativity derivation. And it was just very exciting and interesting. It was a strange new world, relativity. I even thought I had found where Einstein made a mistake. And I went back for lunch, and I thought about it, came back. And I said, “No, he was right after all,” but it was still very exciting. To see a completely different kind of idea and world from what one’s normal intuition shows. Of course, Einstein was one of the great scientists; I’ve always admired him. I fortunately had a chance to talk with him and interact with him a little bit as well.
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The Paris Review, to novelists and poets, The Art of Fiction
A durable Art of Fiction question asked through named literary influences and artistic models.
You answer as yourself. Nobody on FLAPSS answers as anybody else.
Academy of Achievement interview, Washington, D.C., 19 June 1999 source ↗
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View all 42 →For me, since when I was a child, all writers have been collective. They are searching meanings in life. Sometimes they are lost and sometimes they are determined and all their efforts and all their strengths have been my inspiration. So it’s very difficult for me to pick some names of the inspiration. It’s very difficult for me.
I wrote a little book called Screening History , in which I go in great detail into the movies that affected me growing up. This was in the years of puberty, and so on. The Prince and the Pauper , based on Mark Twain’s novel with the Mauch twins in it. All of the propaganda films I loved, because they were political.
They were the great architects who have gone before. So they were architects like Le Corbusier, Frank Lloyd Wright. Of course, they were alive at the time that I was studying. But there were also, for me, not just buildings.
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View profile →It was desperate because of certain things, ingredients like my father being an alcoholic, my mother having too many babies in too short a time, no work available in Ireland, and even when my father did get a job he drank the wages. Then there was the harsh kind of schooling we had with school masters who ruled with a stick and then because of the overwhelming presence of the church, which imbued us with fear all the time. So it was fear, dampness, poverty, alcoholism, fear of the church, fear of the school masters, fear in general.
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John Pawson, Stephen Sondheim, Han Kang, Elie Wiesel, Ernest J. Gaines, Ferdinando Cito Filomarino
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