Just realizing that the block’s part of it. There’s always a week or two, or even a full month, where I’m convinced I’ll never write again, that everything was a fluke before. Or I’m writing, and I can’t tell if it’s inspired or shitty, but I don’t really freak out like I used to. I know that it’s just part of eventually figuring it out. It used to make me panic, but now I know it’s just what happens.

I don’t think that is tough, because if you have an idea of something meaningful to communicate, you can move forward on that. You might not be successful in communicating what you want to communicate, but at least you have an idea of something that needs to be said, or something that you think should be said, and I think you go from there.

One thing that’s not a hobby but is something I have to do is walk my dog. I’m not the first person to say walking is helpful. For writers, leaving the mental space and returning to a physical sensation in your body is important. Even playing piano is like a physical sport. Because we live so up here [gestures above her head] when we’re writing.

It sounds kind of jerky, but I feel like I suffer from an abundance of ideas, and the hardest part for me has always been editing and slowing down. Sometimes I just have to empty out that imaginary mental junk drawer. I literally have this mental image that I use sometimes where I’m just shaking out the junk drawer and throwing stuff away. Mental clutter is something that I have a problem with. At times, people in the studio will roll their eyes because I’ll be like, “Hey guys, look at this. I made this and it could be this color and we could do this or this!” Everyone’s like, “Calm down, Emily.”

That’s something that every writer and probably every artist needs to figure out for themselves: at what point in their process to bring other eyes in, because it can be tricky to do it too soon. I am very susceptible to other people’s perspectives. I’m a Libra, I’m a woman. If someone else has a convincing point of view, it’s really easy for me to get onboard with it, and that can be threatening to my own vision for my work. I need to wait until my work has reached a certain integrity and I know what the skeleton and the foundation and the general thrust of it is.