Just realizing that the block’s part of it. There’s always a week or two, or even a full month, where I’m convinced I’ll never write again, that everything was a fluke before. Or I’m writing, and I can’t tell if it’s inspired or shitty, but I don’t really freak out like I used to. I know that it’s just part of eventually figuring it out. It used to make me panic, but now I know it’s just what happens.
Originally asked
The Creative Independent, to working artists, its interview series
A recurring Creative Independent question whose wording distinguishes a lasting block from a temporary impasse.
You answer as yourself. Nobody on FLAPSS answers as anybody else.
Sania Khan, The Creative Independent interview source ↗
Others on this question
View all 66 →There’s a first part of observing the thing, or having the idea, but then a huge amount of the next step’s work is: “What do I want to do about it? What form should it take? What am I going to do now do about it having observed it?” That is sometimes a part where it can take a long time to work out. Sometimes I get stuck. Sometimes I change my mind or have to think of very different strategies to figure out what the right one is.
There’s a good amount of momentum between projects. I worked in design for 10 years, so I don’t have time for writer’s block. I don’t have time for creative blocks. That’s my perspective on everything. When you’re working with a client and it’s not necessarily for yourself and it’s about a timeline, it’s about deadlines, and it’s a very structured process and you’ve followed that—especially if you’ve been let go at certain jobs because you didn’t follow that—you just kind of get over yourself. But, I dunno. And that’s maybe not the greatest thing to say, but I think that’s a responsibility to have, man. Just making sure that you’re not out of it all the time. Making sure that you can actually deliver.
If by the second or third day I’m stuck and it’s not working, I usually will scrap it. I find an open tuning and start picking around until I find a melody or something I like. I follow that melody to the end of the song. I have to be willing to scrap the entire thing and move on because I can’t waste a lot of time. Everyone has a different approach with writing, this long excursion, excavating out of the ground, like you’re digging and finding it can be this long process. For me it’s more like following a bird. If it flies away too quickly, it just wasn’t meant to be.
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