I think once an artist or musician reaches a certain level of mastery, you can just do it on autopilot. My hand can keep moving and I can be making things, and on the outside I can be like, “This looks really cool” but I’m really just bored with it. I can draw this face or an eyeball or whatever in my sleep, and it’s not interesting to me. A creative block to me just means getting bored with myself. Those are those moments where you have to shake it up or do some introspection, or simply take a break. Sometimes I read a book or go to the movies, have my favorite meal, or go on a trip.
Originally asked
The Creative Independent, to working artists, its interview series
A recurring Creative Independent question whose wording distinguishes a lasting block from a temporary impasse.
You answer as yourself. Nobody on FLAPSS answers as anybody else.
Brandon Stosuy, The Creative Independent interview source ↗
Others on this question
View all 66 →The impulse to make something is generally related to something that you need to say. When it feels like a rock in your shoe or something, and you have to get it out. It’s very clear. Sometimes you get it out, and it’s not very useful. Often, I’ll finish working on something and it’s not in a state that I need to give it so somebody. The getting it out was necessary for me.
I’ve never felt blocked, but when I get burnout it means it’s time to switch to another medium—I jump around, don’t stay still. I do know that when I spend too much time talking about my work, the new ideas recede. What I mean is, I find that the process of making brings more ideas, there’s constant momentum.
We called that the 'story crisis,' and we never expected to have another one. But you know what? There's been one on every film. We don't stop production for five months. We've gotten a little smarter about it. But there always seems to come a moment where it's just not working, and it's so easy to fool yourself - to convince yourself that it is when you know in your heart that it isn't.
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