I’ll revise a poem if I’m not happy with it, just to get it to a point where I’m like, “Well, I guess this will do.” But I always feel like the best poems come out almost exactly right the first time. The kinds of poems that I do more slowly and revise more, they never feel completely finished. I actually feel the same about essays. I really like to write essays all at once. Then I’m only really making small edits from there. I’ll just think about them for so long that I feel like, “Okay, now I know exactly how to write this”.

My editor, Jordan Pavlin, my agent Binky, Amanda Urban, or I would see and feel that something was missing there. I would have to try to fill it. You might think, well, there’s something that belongs in this gap. And you try to write it and it’s not very well done. So that’s a whole bunch of trial and error. I would describe it this way. I would feel like I was driving down a road and some sections of the road were simply gone. When I went down in them to fill them in, they became infinite tunnels. And I thought, “Christ, I’ll never get out of this.” There were some parts that got rewritten more than others. I mean, I’ll tell you this, I literally filled tubs, those sterilite tubs—they fill the room behind me—of paper, of takes that I did on this book. It’s seven years’ worth of wrong turns. I moved it all in myself, it was very tiring. It must damn near be 1,000 pounds. So, then, when you ask about actually getting everything to be as right as possible, to make it a smooth road for the reader, I think that just came from going back over it.

Working in 3D environments allows me to have a lot more latitude in how I create my projects, but it actually creates a much harder editing process. Since entire scenes are scripted and key-framed you can endlessly revisit and modify everything. In a sort of post-photographic sense, it’s like having a perpetual decisive moment. I’m working with virtual cameras and lighting quite often, and it is a major challenge to pare down the process to best fit the goals of the project.

I print every draft out even if it’s like seven things I want to change and then I type it all back into the computer sentence by sentence so that every single one is good and I’ll mumble them to myself as I’m doing that to make sure they sound okay.

The great singer Um Kulthum (actually named Kawkab Elsharq – a superstar of the East) had a major influence on my appreciation of music. On the first Thursday of each month we listened to Um Kulthum's concert – "waslats" (three songs) – for more than three hours. During all of my study years in Egypt, the music of this unique figure gave me a special happiness, and her voice was often in the background while I was studying mathematics, chemistry… etc. After three decades I still have the same feeling and passion for her music.

I’m hungry for knowledge…Knowledge, knowledge and I loved it.

He really was a major force in my life…So he was always supportive of my decisions vis-à-vis education. And very generous…He was in many ways.

Arriving in the States, I had the feeling of being thrown into an ocean. The ocean was full of knowledge, culture, and opportunities, and the choice was clear: I could either learn to swim or sink. The culture was foreign, the language was difficult, but my hopes were high. I did not speak or write English fluently, and I did not know much about western culture in general, or American culture in particular.

You could be brilliant, but if you don’t put in the energy, the output is zero.

I’m so pleased, because Caltech’s name is there as the pioneer of this whole technology…I’m proud of them.