It was devastating. That’s really the only word. I was looking for another one. It was devastating on a number of levels, but mostly because I had to confront the fact that I had hurt this person so much that they would say that to me. That was the devastating thing. The rewriting was … once again, I’m not sure if “therapeutic” is the word, but it did feel something like a penance.
Originally asked
The Paris Review, to novelists and poets, The Art of Fiction
A recurring Art of Fiction craft question, sometimes asked about daily rewriting and sometimes about the number of drafts.
You answer as yourself. Nobody on FLAPSS answers as anybody else.
Maddie Crum, The Creative Independent interview, 14 October 2022 source ↗
Others on this question
View all 46 →The concept typically comes first. Those are the lightbulb moments, the most muse-y ones. For my first book, it was the idea of this uneasy trio involved in dream research, a romantic couple and their professor. For my second book, I knew that four siblings would visit a fortune teller, who tells them their dates of death (or so she claims), and that the book would then follow the siblings over the course of their lives. And for this new book, there were two threads—one was a fascinating (real!) science experiment that was producing results with eerie implications. And the second thread was my desire to explore the universe of marriage, or partnership.
Sometimes, there will be songs [for which] I finish the lyrics years later. I try not to listen to my own music until time has passed. It’s like, “Maybe I should have put that word in there.” But I think it’s because I studied English literature, for me, the most important part, the bit I get the most out of as a consumer of music, as an enjoyer of music, is the lyrics. So for me, I really care. I try things out, I try different versions, I will sing different versions, and it’s a sort of long process [that] feels like I’m excavating dinosaur bones with a little toothbrush.
I revise the book, and then a few other people read it, and then there is a master document listing all of the things that have to be revised. And then those are broken out, and the book is printed out in various ways. I don’t know if you’ve ever used that function on the printer, where you can do four pages to a sheet or six pages to a sheet. I’ll often read things I write in very small font, to get an overview of them. And then I’ll print them out in really big font, and look at them that way.
More on craft & work
- What is the worst job you have done? 229 answers
- What do you consider your greatest achievement? 192 answers
- How do you know when a piece of work is finished? 67 answers
- What do you do when you feel creatively blocked or stuck? 66 answers
- How does a new work begin for you? 63 answers
- What is the part of your job that people would be surprised is most of your job? 41 answers
Also answered this
Zach Baron, Charles Bernstein, Khaled Hosseini, Tayi Tibble, Joshua Henkin, Amitav Ghosh
Search the directory for somebody in particular.
Explore further
- All craft & work questions
- The The Art of Fiction questionnaire — 3 questions from the same format
- Explore the archive — by field, age, era, and subject