Thrust into my profession without any training whatsoever, I had to just flounder and just find my way. It was an agonizing experience. It’s like jumping off a diving board in the Olympic contest without knowing how to swim or dive, and I just had to find my way. So one day, I said to Jimmy Cagney, “Jimmy, what is acting?” and he said, “I don’t know.” He said, “All I can tell you is whatever you say, mean it,” and I thought that marvelous counsel.

Yeah, of course! I think they made that way back in like 1968 with an optical printer where they had to keep shooting each section. It was made for IBM. The idea of virtual travel versus physical travel, the idea of exploration.

Well, if I had studied theater, I would not be making the kind of theater that I’m making. My theater came about by living. My first play that had text was written with another 13-year-old young man named Christopher Knowles who spent 11 years of his life in an institution for brain damaged children and was composing text that were arranged mathematically and had to do with geometry. I was fascinated by his mind and the way he was putting words together. Not only was it interesting to hear, but it was also very interesting to see. It wouldn’t be necessarily right for someone else, but for me it was something I was drawn to. It came about by living, not by reading a book.

Yes, the Kuleshov effect. When you place one image next to another, meaning emerges. If you change one image, the meaning changes. They are these psychological landscapes that are being painted. So I find this technique and the various ways that montages can be assembled extremely helpful.

I’d have Nunc Dimittis in G, followed by Gute Nacht and Be Thou My Vision.

I have a horrible capacity to be unctuous to people I want to impress.

I am going a bit deaf and I am hoping that technology is going to come on leaps and bounds and that one day I will hear better.

Now. Although I am on tour and I will be deliriously happy when that finishes, because I'll be back home.

When I was little I wanted to be a conductor. I knew there was a man in a smart coat who waved his arms around at the opera and I thought: "There's the job for me."

Three children aged three, one and 0.