And then Octavia, I open up her books and the protagonist is a Black girl. And both the Blackness and the youth matter here, that it was like, she was writing people who were 15 years old and who already had a sense of destiny and a sense of, the world needs to change, and I’m going to shape that. I’m going to be a part of that. And she was very solution-oriented in her writing, she was very practical in her writing, so everything is very clear. You’re not going to read Octavia and come away confused.

For me, since when I was a child, all writers have been collective. They are searching meanings in life. Sometimes they are lost and sometimes they are determined and all their efforts and all their strengths have been my inspiration. So it’s very difficult for me to pick some names of the inspiration. It’s very difficult for me.

We had the classics, published by Scribners, all the great stories by Robert Louis Stevenson and the rest which were illustrated by the great N.C. Wyeth. In those days, when childhood diseases were extended, you were home with the measles or mumps or chicken pox for two or three weeks at a time, and you were supposed to stay in bed. There wasn’t any television, there wasn’t much to do, so I would stare at those paintings in those books by the hour. I didn’t read them all. I loved to just look at those pictures and study every detail. I could sit down and draw most of those pictures right now without having to refresh my memory because they were so exciting to me.

Well, it certainly influences my manner of writing, because I always see Darwin as a model of the act of explanation and of argument; the morality, the ethics of explanation, maybe.

Nelson Mandela.

The loss of physical, financial, and psychological independence.