Moyra Samuels, Nicole Belfon, Yvette Williams, Judy Bolton and Tasha Brade from Justice4Grenfell, for turning grief into action.
Originally asked
The Guardian, to a different person each week, The Q&A
The Guardian's Q&A repeatedly uses this prompt, sometimes dropping 'living' while retaining the same comparative judgment.
You answer as yourself. Nobody on FLAPSS answers as anybody else.
The Guardian, The Q&A, The Guardian, 23 April 2022 source ↗
Others on this question
View all 406 →Harry Evans. My opportunities to admire him are many since I am – at time of writing – still married to him.
I love and admire Julia Roberts, one of our Running Wild guests, for the way she has a few close friends, is loyal to her family, doesn’t believe in all the fame stuff and can laugh at herself.
I have a lot of respect and admiration for President Carter. It was a delight when I got the Nobel Peace Prize to get a letter from him. It meant a lot to me, getting that letter from a man who is my idol in many ways. ... He always has the courage to express his views, his convictions. He doesn’t hesitate to run against the current. He has always had a moral certitude. He looks at the ethics and morality of his action, and that’s key. Whatever we do in life, whether privately or publicly, we need to have a compass. We need to be sure that what we do is not only good for us, but good for the people at large. That’s ethics. That’s morality. I think we need to always know that our work is not just good for us in the short term, but it’s morally correct. And when I talk about morality, I don’t talk about religion. I talk about a moral code, a moral value, which I think we all have, being honest, being fair, being correct. These are values I think we all share.
More from Rose Tremain
View profile →We live in a fearful age: Brexit, Covid, global warming, cancel culture, war in Ukraine. Add in pancreatic cancer and you find me in an advanced and complex state of anxiety.
The film of Restoration. A beautiful cast. An award-winning designer. A massive budget. A dog’s dinner.
Like coming home.
Talking in cliches. We have the most economic, resonant and versatile language in the world, yet so many people use it in a dull and boring way.
When I first met Richard, in 1992, on a British Council writers’ tour of Adelaide. We were drinking Australian lager while parakeets squawked rudely in the neighbourhood gumtrees.
Working as the assistant to an agony aunt on a women’s magazine. When we didn’t get enough heartbreaking letters, we made them up.
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