But I need to show my work during the process. In the editing room, very often I invite friends and I do some test screenings with friends or people I know: editors, journalists sometimes. I ask them, Is it boring? Is it too long? What do you think?

Having said that, feeling isolated is tough. In those times, you need a place where you can be by yourself, and friends. Company colleagues won’t do it because they’re generally self-centered (laughs). You need friends who have nothing to do with the company.

MOVE was very supportive through all of that. My wife had a natural childbirth — MOVE coached us through a lot of that.

The people that already do it, Lourdes Dooley, Aaron Mulliss, Nick Bearshaw, Claire Kreigenfeld and all of their amazing support team, and of course the amazing Alex Longstaff who has to deal with my childish antics on an hourly basis.

Try to be the same as everybody else.

Dying on the same day as someone much more famous than me.

I once spent a summer doing a puppet show in kindergartens around the Shetland Islands.

I would say, “Don’t worry. It’s all going to be fine.” I always thought it would be fine, but there was a long time when it wasn’t fine. In terms of my career, the biggest thing I wanted to do was work in this theater in Glasgow. That was my dream. I thought that was a huge dream and maybe I’d move to London one day. I just wanted to work and I still just want to do work. I do think this happening to me is partially due to a a willingness to be like “Okay, I’ll go to America.” I’m not hungry.

The power of positive thinking.

Everyone should do it. For me, it’s like going to the gym for my mind.