One of my mentors, Tom Frank, a professor of law at NYU, he was really instrumental in making me understand that we need to look at the global picture, and we always need to not take anything for granted, but go very much through a process of critical thinking before we formulate our views. So he was, I think, instrumental in shaping my views as to how to pursue my career in the future.

Well, I saw Mies van der Rohe and then I was introduced to Shiro Kuramata’s work and that brought me even further into this world. I’m interested in everything. I mean, Peter Zumthor is obviously very talented, he does interesting work — but I don’t study my contemporaries in architecture and design so much.

Truffaut, Rohmer, Claude Chabrol, they were the great directors of the Nouvelle Vague. They found the freedom to make exactly the films they wanted. Chabrol was important because he was able to make very strong portraits of women and very complex portraits of women. He was very clever and he had a lot of joy and pleasure. He didn’t have some big theories about his work, he just enjoyed making films. I try to work like that.

Well, if I had studied theater, I would not be making the kind of theater that I’m making. My theater came about by living. My first play that had text was written with another 13-year-old young man named Christopher Knowles who spent 11 years of his life in an institution for brain damaged children and was composing text that were arranged mathematically and had to do with geometry. I was fascinated by his mind and the way he was putting words together. Not only was it interesting to hear, but it was also very interesting to see. It wouldn’t be necessarily right for someone else, but for me it was something I was drawn to. It came about by living, not by reading a book.

I suppose it’s easy to say, and it may be true, that my role in the development of the laser is perhaps the most important to society. Certainly in terms of applications, and the direct effects on humans, that has been quite important. On the other hand, there are other things which most people don’t know about, and in the scientific area, that I could argue are really quite important, the discoveries there.

People tell me that I work hard. I never feel that I do particularly, because it’s fun. I always say, “Well, I’ve never worked hard in my life.” I’m busy, but most of what I do is enjoyable. It isn’t that it’s not tedious to some people, and so on, and of course I have routine to do, but I don’t mind it. I just don’t feel that I’m put upon. I spend a lot of time, but it’s fun. It’s a very intensive hobby. I would say it’s my most serious hobby. I have lots of hobbies, but the one permanent one is science, physics. So yes, I spend a lot of time, and I would agree with Edison, you have to work very hard and intensively.