Which writers or artists most influenced your work?

Originally asked

The Paris Review, to novelists and poets, The Art of Fiction

A durable Art of Fiction question asked through named literary influences and artistic models.

You answer as yourself. Nobody on FLAPSS answers as anybody else.

Recorded Mohamed ElBaradei said elsewhere, not written here
One of my mentors, Tom Frank, a professor of law at NYU, he was really instrumental in making me understand that we need to look at the global picture, and we always need to not take anything for granted, but go very much through a process of critical thinking before we formulate our views. So he was, I think, instrumental in shaping my views as to how to pursue my career in the future.

Academy of Achievement interview, 2006 source ↗

Others on this question

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Wayne Thiebaud Painter; winner of the National Medal of Arts
Very much, because he’s interested in that same kind of process. Bonnard, Matisse, Indian miniature paintings, which he collected. That’s where the light comes from, a spectral relationship within the painting itself.
Recorded Academy of Achievement interview, Sacramento, California, 27 May 2011 source ↗
Noah Baumbach Film director and screenwriter
I did think about Woody Allen’s movies with Frances Ha because Woody Allen’s movies were also in black and white and very contemporary. Manhattan and Stardust Memories are not period pictures. Particularly in Manhattan you have the grandeur of the black and white and the Gershwin music sort of playing up against a more intimate storyline in which, when you break it down, is really just people sleeping with each other and trying to figure out their lives. But something about the filmmaking and the approach to it makes it feel almost epic. And, ultimately, the concerns of those people are epic. That movie is a masterpiece.
Recorded The Talks, published interview, 4 April 2013 source ↗
Linus C. Pauling, Ph.D. Chemist; winner of the 1954 Nobel Prize in Chemistry and the 1962 Nobel Peace Prize
One was Roscoe Gilkey Dickinson. He had got his doctorate in physical chemistry — x-ray crystallography — in 1920. He was the first person to get a Ph.D. from California Institute of Technology. And he was continuing with x-ray crystallography, determining the structure of inorganic crystals. After I had accepted appointment as a graduate student at California Institute of Technology, A.A. Noyes, the head of the division of chemistry and chemical engineering, wrote to say that he had decided I should work with Roscoe Dickinson on determining the structure of crystals. This was really extremely fortunate for me, in my opinion. I don’t think that there was any field that was more suited to my interests, and I don’t really know why Dr. Noyes selected me out of eight or ten new graduate students to do x-ray crystallography. Dickinson had a remarkable mind. He was a very careful investigator and thinker, a very logical thinker. When he was teaching me x-ray crystallography, he also taught me to ask at each stage in the argument, “What assumptions are being made? How reliable is the conclusion that you draw? What chance is there that one of the assumptions you have made is not correct?” “You should recognize,” he said to me, “that there is in almost every investigation a lack of complete rigor. You should understand just how reliable the arguments are that you are presenting.
Recorded Academy of Achievement interview, Big Sur, California, 11 November 1990 source ↗
Well, there were, you know, several poses that was known for everybody, that is known for certain poses. And to me it was the three-quarter back pose. And it was a very difficult pose to do, to twist your body and to show the small waist and to show at the same time your wide shoulders, your back. And you also see the front and you see the abs and you see the calf and the thighs and all of those things. But it was a difficult pose to do. Very few bodybuilders could master it. I copied basically Reg Park, who was my idol and who won three times the Mr. Universe competition. And he was known for that pose in a kneeling position and in a standing position. And so because he was my idol, I was, you know, absolutely fanatic to copy his poses and then to kind of improve on that. And that's exactly what I did.
Recorded David Greene, Talk of the Nation, NPR, 2 October 2012 source ↗

More from Mohamed ElBaradei

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Question How has a failure, or apparent failure, set you up for later success? Do you have a favourite failure? Failure & regret
Unfortunately, in the case of Iraq, I believe we could have done that through an inspection process. I was calling for a few months more to complete our work. We hadn’t seen indications of weapons of mass destruction. We hadn’t seen indications of nuclear weapons. ... Unfortunately, it didn’t work that way. There was faulty intelligence. There were lots of other considerations that made a decision to go to war tempting, to get rid of Saddam Hussein.
Recorded Academy of Achievement interview, 2006 source ↗
Question What is something everyone in your world agrees about that you think is wrong? Values & belief
In all this we can only move forward, if we work in a multilateral setting; and that also is another dimension of this – that is recognises the importance of multilateralism. As the citation says, “broadest international co-operation”. We can only win together or lose together, Marika. I think that’s something I have been saying for quite a while and you probably will hear me say more of that, as we go forward.
Recorded Nobel Prize telephone interview, 7 October 2005, 7 October 2005 source ↗
Question What problem are you still trying to solve? Craft & work
Well, I think the most single important issue today is to make sure that nuclear weapons will not proliferate beyond the eight, or nine, countries that already have nuclear weapons; and absolutely make sure that none of these nuclear weapons or this nuclear material will fall into the hands of any extremist or terrorist group, because if they got hold of this material, they would use it. That would be the beginning of the end for civilisation as we know it.
Recorded Nobel Prize telephone interview, 7 October 2005, 7 October 2005 source ↗

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