What do you do when you feel creatively blocked or stuck?

Originally asked

The Creative Independent, to working artists, its interview series

A recurring Creative Independent question whose wording distinguishes a lasting block from a temporary impasse.

You answer as yourself. Nobody on FLAPSS answers as anybody else.

Recorded Alysha Brilla said elsewhere, not written here
I do believe that some of the funniest people you’ve ever met might not ever be on a stage. Similarly, some of the most talented musicians you will ever hear are playing in a little house somewhere across the world. Some of the most profound exchanges of words happen between two people who are channeling an intimacy and depth of humanity which not all of us will hear.

Sania Khan, The Creative Independent interview source ↗

Others on this question

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Richard Feynman Theoretical physicist; Nobel laureate in Physics, 1965
Nothing happens because there’s not enough real activity and challenge: You’re not in contact with the experimental guys.  You don’t have to think how to answer questions from the students.  Nothing!
Recorded Excerpt from “Surely You’re Joking, Mr. Feynman”, Engineering and Science / Caltech Magazine, 1985 source ↗
Hayden Pedigo Guitarist, artist and model
If by the second or third day I’m stuck and it’s not working, I usually will scrap it. I find an open tuning and start picking around until I find a melody or something I like. I follow that melody to the end of the song. I have to be willing to scrap the entire thing and move on because I can’t waste a lot of time. Everyone has a different approach with writing, this long excursion, excavating out of the ground, like you’re digging and finding it can be this long process. For me it’s more like following a bird. If it flies away too quickly, it just wasn’t meant to be.
Recorded Jeffrey Silverstein, The Creative Independent, 12 March 2024 source ↗
Emily Fischer US atmospheric chemist and academic
It sounds kind of jerky, but I feel like I suffer from an abundance of ideas, and the hardest part for me has always been editing and slowing down. Sometimes I just have to empty out that imaginary mental junk drawer. I literally have this mental image that I use sometimes where I’m just shaking out the junk drawer and throwing stuff away. Mental clutter is something that I have a problem with. At times, people in the studio will roll their eyes because I’ll be like, “Hey guys, look at this. I made this and it could be this color and we could do this or this!” Everyone’s like, “Calm down, Emily.”
Recorded Brandon Stosuy, The Creative Independent interview source ↗
Brandon Breaux American artist
There’s a good amount of momentum between projects. I worked in design for 10 years, so I don’t have time for writer’s block. I don’t have time for creative blocks. That’s my perspective on everything. When you’re working with a client and it’s not necessarily for yourself and it’s about a timeline, it’s about deadlines, and it’s a very structured process and you’ve followed that—especially if you’ve been let go at certain jobs because you didn’t follow that—you just kind of get over yourself. But, I dunno. And that’s maybe not the greatest thing to say, but I think that’s a responsibility to have, man. Just making sure that you’re not out of it all the time. Making sure that you can actually deliver.
Recorded Brandon Stosuy, The Creative Independent interview source ↗

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