If you commit to it, you won’t ever stop learning.

I think that is the most important lesson you learn in life, that you have to be ready to make a compromise. You do not compromise your principles, but you have to be ready to compromise. You have to understand that you cannot get your way 100 percent. Life is too complicated. You are not an island, and you work in a social setting, and you need to understand that you work always — at the family level, at the society level — to work out the compromise that is perceived to be fair. You don’t get 100 percent of what you want, but at least you will get the basic minimum that you require.

You’ve got to keep trying because you don’t know what amazing things are round the corner. Also, always be grateful – at one point you wished to be where you are today.

A close, loving family and work position in society which is meaningful, which is about making the world a better place rather than getting a bigger - having a bigger bank account.

I made a solo attempt at the Matterhorn in 1996 and came very close to falling. I waited until the dawn light came, so I could retrace my route, but I was hanging off my ice axes for 45 minutes.

I want you to make bold decisions. I want you to make your own choices.

During the ’80s, when I was in college, on the American side, it was Robert DeNiro in Taxi Driver, Robert Duvall and Martin Sheen in Apocalypse Now, Christopher Walken, John Savage, John Cazale, etc. All of those guys – I was blown away by the emotional impact and sincerity of their performances. And then of course, in the UK, I was going to a lot of theater at the time and watching great on stage performances from people like Jonathan Price, Albert Finney, Anthony Hopkins – all of whom really influenced me as well.

It begins with knowing the story you want to tell. There are thousands of stories contained within the world that Samantha has created – we have to be very disciplined about opening up the world in a way that will lead us on to further investigation in the rest of the series. We need to find the emotional heart of the story; the relationships; the tension; the suspense and the drive; and of course working closely with Samantha is going to make it much easier.

A Leica.

But I was supported by an incredibly strong crew, many of whom I’ve known for years from having worked in New Zealand. It was a very collaborative effort.