One of my mentors, Tom Frank, a professor of law at NYU, he was really instrumental in making me understand that we need to look at the global picture, and we always need to not take anything for granted, but go very much through a process of critical thinking before we formulate our views. So he was, I think, instrumental in shaping my views as to how to pursue my career in the future.
Originally asked
The Paris Review, to novelists and poets, The Art of Fiction
A durable Art of Fiction question asked through named literary influences and artistic models.
You answer as yourself. Nobody on FLAPSS answers as anybody else.
Tim Ferriss, The Tim Ferriss Show, The Blog of Author Tim Ferriss, 1 January 2018 source ↗
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View all 66 →Yes, the Kuleshov effect. When you place one image next to another, meaning emerges. If you change one image, the meaning changes. They are these psychological landscapes that are being painted. So I find this technique and the various ways that montages can be assembled extremely helpful.
My university tutor Raymond Williams.
We had the classics, published by Scribners, all the great stories by Robert Louis Stevenson and the rest which were illustrated by the great N.C. Wyeth. In those days, when childhood diseases were extended, you were home with the measles or mumps or chicken pox for two or three weeks at a time, and you were supposed to stay in bed. There wasn’t any television, there wasn’t much to do, so I would stare at those paintings in those books by the hour. I didn’t read them all. I loved to just look at those pictures and study every detail. I could sit down and draw most of those pictures right now without having to refresh my memory because they were so exciting to me.
More from Alex Honnold
View profile →And you know, then you can just take that breath and be like, okay, time to--time to reset, you know, like, relax your grip a little bit, take in what you're doing and start again.
I mean, the first thing that comes to mind is like in high school I was reading a bunch of Ayn Rand, like objectivist, all super black and white, basically like f the poor, people should work harder, they should try harder. And now as a 30-year-old I’m basically like all about trying to help the poor or trying to help the planet in different ways. Trying to make the world a better place. It’s like a full 180 from the black and white that I was into in high school.
It was probably before my career, I had an accident when I was younger, I fell down a mountain, it was a little bit ridiculous but, I slipped unprepared on the ice. It was probably one of the few times where was sure that I was about to die.
I’ve had a couple of ex-girlfriends sort of accuse me of having a personality disorder! … No, I don’t know. I’ve always been afraid of death. I’ve never wanted to die. Last year, I watched this guy die in Red Rock. It was this horrible freak accident thing. He fell and he cracked his head and basically just bled out. That was the first time I’d ever actually seen a climbing accident like that. It was kind of sobering — he was even wearing a helmet — it was a reminder of how dangerous climbing can be if things go wrong even when you have all the ropes on.
Oh, I don’t know. I mean, like, just like, I don’t know, environmental propaganda or something. Or like the meat stuff. I’m like pretty stoked on all the vegetarian type of stuff now, just because it’s such an easy way to minimize your impact on the planet. And it’s just, you know, I mean, it just solves so many different environmental issues. But I don’t know.
Well, don’t you think that we are all like that? I mean in some ways the deepest fear for a lot of people is getting to the end of their life and think that they did it wrong.
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