To me, part of what I love about puzzles is that they fuel my curiosity and I’d say curiosity and gratitude are my two favorite virtues. My last book was about gratitude; this book is all about curiosity. Curiosity is what drives puzzlers. They’re like, ‘Why is it? What is it?’

Ultimately, my research was curiosity driven, which kept me active even in low periods.

really watching a lot of work. Also finding the right people to associate with and learn from in terms of work.

I think a very big curiosity. I’m very curious and I like to understand things and not only science but also other things where I just try to find out why things work or how things work. Science and nature caught my attention as a small child already. I was growing up in a city but we had a garden and I loved the garden and then often on vacation I was at a farm and I loved these animals and plants and so on, so I was attracted very early on and then we had a very good teaching actually at my … I don’t know whether my teachers really had much of a role because I was determined very early, but then I also did music and I did languages and Literature and so on. I have broad interests actually other than science, but this is really true, this curiosity.

I don’t want my children to look at Netflix and see me on screen in the arms of someone who’s not their dad.

Yes. Although I acted early on, I always wanted to be a painter.

So living with my dad for sure influenced me.

I know what I’m doing when I’m doing it but I almost don’t know what I’m doing when I’m doing it.

I really admire Meryl Streep. I am a very big Bette Davis fan. And I like Anjelica Huston, who also directs.

It all depends. I attack and then keep attacking them until they tell a story and maybe it’s boring or discordant or I’m not interested in that story anymore, so then I put them away. Sometimes for a year. And then I take them back out and if I disagree with something strongly it’s kind of exciting because I can really be loose on the canvas. When I’ve worked on something for years there are moments where it could be a little scary to be so loose, because you’re destroying so many hours of work. But I think that’s why when I’m a little delirious in the middle of the night the magic happens, or it doesn’t. So sometimes I then work toward building different parts of the painting, and then there’s a new story. If it doesn’t have a story to tell, I’d eventually declare it’s a dead painting. In which case, a la poubelle , to the garbage.