Truffaut, Rohmer, Claude Chabrol, they were the great directors of the Nouvelle Vague. They found the freedom to make exactly the films they wanted. Chabrol was important because he was able to make very strong portraits of women and very complex portraits of women. He was very clever and he had a lot of joy and pleasure. He didn’t have some big theories about his work, he just enjoyed making films. I try to work like that.

Well, I mean, obviously, as I said, Richard Rodgers, very obviously say, composers like Prokofiev, like Gershwin, all of these, the great musical theater writers. I would add, as melodists, I think if you were talking about the great melodists of the 20th century, I would put Paul McCartney in there. I would definitely put Rodgers. I would definitely put Prokofiev. I’d definitely put Gershwin because he died so young, but definitely would put him there. And those, of course, in the theater side of things, I’d definitely put Hal Prince

Very much, because he’s interested in that same kind of process. Bonnard, Matisse, Indian miniature paintings, which he collected. That’s where the light comes from, a spectral relationship within the painting itself.

For me, since when I was a child, all writers have been collective. They are searching meanings in life. Sometimes they are lost and sometimes they are determined and all their efforts and all their strengths have been my inspiration. So it’s very difficult for me to pick some names of the inspiration. It’s very difficult for me.

I thought I was clever enough to write as well as these people, and I didn't realize that there is something called originality and your own voice.

I would say that half of it was adversity. It was people discouraging me that got me into writing. I had a partner, a business partner, who ended up cheating me, as a matter of fact.

I go back to this idea that I only discovered when I was older. I wish I had known it when I was younger, because I think I missed a lot of observations in life. That is to develop your own philosophy. I always thought philosophy was one of the most useless subjects in the world.

I didn’t fear failure. I expected failure. I think I’ve always been somebody, since the deaths of my father and brother, who was afraid to hope. So, I was more prepared for failure and for rejection than success. The success took me by surprise and it frightened me.