Home can never really be a place. It is this thing that you carry inside of you.
Kate Kellaway, Neo-Griot, 27 June 2017 source ↗
Home can never really be a place. It is this thing that you carry inside of you.
Kate Kellaway, Neo-Griot, 27 June 2017 source ↗
Wendy Kopp: Education needs a systemic change - Mediamax.am
When I decided to sell my company, I already had enough. I live simply. I don't own a house, a car, or even a TV. The less I own, the happier I am. The lack of stuff gives me the priceless freedom to live anywhere anytime. So I didn't need or even want the money from the sale of the company. I just wanted to make sure I had enough for a simple comfortable life.
So when I leave the court, I'm going to have more than enough to do, just to carry on, maybe telling something of our journey to people who didn't go through that.
My parents tell me I was fascinated by numbers even at age two, when I tried teaching other kinds to count using number blocks.
The desk helps, now that I have it. I’ve stacked piles of books that I love on it to act as talismans. They help, too. The desk makes me feel like I’m going to work, even though work is located in a cramped but bright corner of my living room. […] I used to think of myself as someone with a great deal of discipline, but I lost it in the air somewhere over the Rocky Mountains. Now, instead of discipline, I have a desk, and every day that I sit at it I dig a little deeper.
Homegoing spans about 250 years of Ghanaian and American history. Some of this history I knew a bit about, but the novel did require an extensive amount of research, which was by far the most difficult part in the process of writing.
I think one of the best things that art can do is to shine a light on dark places, and to hold something up and say: 'This hasn't gone unnoticed. We see this, and we're going to say something about it.'
I don't think I really understood that you could choose writing as a profession for many years later. It wasn't really until I was 17, when I read Song of Solomon by Toni Morrison and saw, 'Oh, someone like me, a black woman, can do this ...
On the best days, I stop pleading, stop bargaining and watch-checking and fall into a rhythm so satisfying that I simply forget I’m working. So much of my writing day feels like well-digging. Sometimes I dig 200ft down before coming back up, dry. Every day I search for water.
Usually, my irrational bargaining goes something like this: I start working at around 10 if I’m feeling motivated, 11 if I’m not. I reread the work from the day before and/or passages that I think I got right in order to try to set the tone. I write a sentence. I read it aloud. I delete the sentence. I look at the clock and wonder if it’s too early to think about lunch. I tell myself that, if I can make it to 300 words, I can break for lunch.
Wendy Kopp, Andrew Young, Ted Turner, Albie Sachs, Derek Sivers, Freddie Hubbard
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