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August Wilson

Playwright; two Pulitzer Prizes for Drama

United States · 1945–2005

American dramatist best known for a ten-play cycle chronicling twentieth-century African American life, most of it set in the Hill District of Pittsburgh where he grew up. He left school at sixteen and educated himself in the local library. In 1968 he co-founded the Black Horizons Theater in Pittsburgh with Rob Penny.

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Question How has a failure, or apparent failure, set you up for later success? Do you have a favourite failure?
I was writing poetry. But I found the theater such an exciting experience that one day I went home to try. I had one character say to the other guy, “Hey, man, what’s happening.” And the other guy said, “Nothing.” I sat there for twenty minutes and neither of my guys would talk. So 1 said to myself, “Well, that’s all right. After all, I’m a poet. I don’t have to be a playwright. To hell with writing plays. Let other people write plays.” I didn’t try to write a play for a number of years after that first experience.

Recorded Bonnie Lyons and George Plimpton, Interview conducted over lunch at the Sheraton Hotel’s Fourteenth Street Bar, Atlanta, The Paris Review, Issue 153, Winter 1999, 1999 source ↗

Question What is the part of your job that people would be surprised is most of your job?
And I acted when the actors didn’t show up. As the director, I knew all the lines and I took over more times than I wanted to. I didn’t know much about directing, but I was the only one willing to do it. Someone had looked around and said, “Who’s going to be the director?” I said, “I will.” I said that because I knew my way around the library. So I went to look for a book on how to direct a play. I found one called The Fundamentals of Play Directing and checked it out. I didn’t understand anything in it. It was all about form and mass and balance. I flipped through the book and there in Appendix A I discovered what to do on the first day of rehearsal. It said, “Read the play.” So I went to the first rehearsal very confidently and I said, “Okay, this is what we’re going to do. We’re going to read the play.” We did that. Now what? I hadn’t got to Appendix B. So I said, “Let’s read the play again.” That night I went back to the book and sort of figured out what to do from that point on.

Recorded Bonnie Lyons and George Plimpton, Interview conducted over lunch at the Sheraton Hotel’s Fourteenth Street Bar, Atlanta, The Paris Review, Issue 153, Winter 1999, 1999 source ↗

Question What is something you were told by a parent, teacher, or mentor that you still repeat to yourself?
I think he was expecting someone with a more strident tone and antagonistic demeanor. I think he was surprised to find out that I’m a pretty likable person, and that despite out different views I conducted myself with a civility and grace of manners my mother always demanded of me. For myself, I found him to be a more likable person than I had imagined. And I certainly value and respect the contributions that he has made to the theater; our differences of opinion on black theater do not dampen my respect and appreciation, nor in any way invalidate the considerable contributions that he has made.

Recorded Bonnie Lyons and George Plimpton, Interview conducted over lunch at the Sheraton Hotel’s Fourteenth Street Bar, Atlanta, The Paris Review, Issue 153, Winter 1999, 1999 source ↗

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