Nina Riggs

Downstairs, the boys gaze at a screen on the old futon in the playroom. We will figure out what to do about them soon enough. They probably already know what’s up and are waiting for us to figure out how to say it. Their very existence is the one dark piece I cannot get right within all this. I can let go of a lot of things: plans, friends, career goals, places in the world I want to see, maybe even the love of my life. But I cannot figure out how to let go of mothering them.

But in the weeks after I learned that the breast cancer I have been in treatment for over the past year had spread to my bones — breaking my spine and becoming incurable and most likely fatal — finding the perfect living-room couch has begun to feel like the most important thing I’ve ever done.

So maybe I don’t try to figure it out. Maybe I just aim to get the couch right: strong bones, high-quality leather, something earthy and animal and real. A surface that knows something of what it was to be alive, that warms to our touch and cools in our absence. Also: an expansive bench that fits all of us. Something that will hold us through everything that lies ahead — the loving, collapsing and nuzzling. The dying, the grieving.

None of this was supposed to happen. At 38, I wasn’t supposed to lie on my back in the E.R. on a late December morning and be told by a teary radiation oncology resident that the pain I’d been having for two months — that I’d been assured was from having a weak core after months of chemo — was actually from a tumor that had devoured my L2 vertebra. John wasn’t supposed to have to hold me up on the toilet. Put my pants on for me. Do Christmas Eve for the children without me. I’m not supposed to be thinking about where he will sit and hold my hand as I take my last breath.