Oh, there’s so many. Usually it’s when I’m overwhelmed, because I get defensive and I just want to like hide under my couch. I’m working on a project now that I’ve been stuck [with] on a problem for four years and I’m finally [in] “fuck it, let’s just get it done” mode. Which is really nice, but there’s always blocks. I mean, I’ve had a block with the foldable coat hanger for years, and I think we finally have solved it. It’s cool how it ebbs and flows and you’ll discover a new way to approach it that solves [a] problem–and then maybe [that] causes new problems. There’s nothing consistent about it.
Originally asked
The Creative Independent, to working artists, its interview series
A recurring Creative Independent question whose wording distinguishes a lasting block from a temporary impasse.
You answer as yourself. Nobody on FLAPSS answers as anybody else.
Brandon Stosuy, The Creative Independent, 7 April 2017 source ↗
Others on this question
View all 66 →I just let it sit there. Yeah, I do get it. It’s more like ideas come in waves and I don’t try and force it. Although I haven’t for a while. In the past year and a half, I can’t keep up with the ideas. I have a lot of ideas, and that’s a great feeling. It hasn’t been this way for a long time.
If by the second or third day I’m stuck and it’s not working, I usually will scrap it. I find an open tuning and start picking around until I find a melody or something I like. I follow that melody to the end of the song. I have to be willing to scrap the entire thing and move on because I can’t waste a lot of time. Everyone has a different approach with writing, this long excursion, excavating out of the ground, like you’re digging and finding it can be this long process. For me it’s more like following a bird. If it flies away too quickly, it just wasn’t meant to be.
There’s a lot of ways to talk about this but in terms of writer’s block, every block I’ve ever had, every metaphysical obstacle and every obstacle inside of me that has prevented me from doing something that mattered to me always factored down to fear. It was really a matter of, in most cases, lowering my standards, and it was this kind of perfectionism. Like, I can’t write badly, I can’t fail, I can’t be rejected. If it becomes okay to be rejected or to fail or to stutter in your attempt at something, then it becomes more possible to do it. If I have to do it perfectly the first time—and my default is that it should be perfect the first time—then I become immobilized.
More on craft & work
- What is the worst job you have done? 229 answers
- What do you consider your greatest achievement? 190 answers
- How do you know when a piece of work is finished? 67 answers
- How does a new work begin for you? 61 answers
- How much rewriting or revision do you do? 46 answers
- What is the part of your job that people would be surprised is most of your job? 38 answers
Also answered this · A–Z
Alysha Brilla, Bill "Blinky" Sellanga, Bill Sellanga, Chelsea Wolfe, David Yow, Greg Mendez
Search the directory for somebody in particular.
Explore further
- All craft & work questions
- The The Creative Independent questionnaire — 4 questions from the same format
- Explore the archive — by field, age, era, and subject