Oh, absolutely. I was delighted when I was assigned command of the first Gemini flight with Tom Stafford as my co-pilot, but it was shortly after that I developed a disorientation problem in my ear, and NASA grounded me. I was grounded for almost six years.
Originally asked
The American Academy of Achievement, to its honourees, its oral-history interviews
The Academy of Achievement repeatedly asks honorees to identify a major professional obstacle or challenge and describe confronting it.
You answer as yourself. Nobody on FLAPSS answers as anybody else.
Hans-Ulrich Obrist, Interview Magazine, 5 September 2018 source ↗
Others on this question
View all 37 →I tried to get funding to shoot this film and couldn’t—nobody wanted to touch it, you know?
I realized that the biggest obstacle was my mind. It was the biggest obstacle, and if I could get out of the way of myself, I would grow. So every time I had that attitude, I changed it, and I’d say, “You can. Today you can, and take it one day at a time, and today, I’m going to get up and I’m not going to think about the other six days of this week. I’m going to get up right now, and I’m going to go to the gym, and I’m going to learn about my boxing, and I’m going to be in the moment.” You know, in anything, you hit a wall, and then you have to break through it, and I just had to get out of my own way.
What I’ve got doesn’t hurt. I’ve been lucky. The treatment has been benign. I don’t know if I could concentrate if I was in pain. I’ve never had to stop.
More from Agnès Varda
View profile →I come from the generation who were taught never to throw things out. I like the idea of hanging on to things and repairing items rather than discarding them. It’s not a question of money, more to do with guarding resources and not being wasteful. My children laugh at me when I sit darning a pair of socks.
Poverty in the world. Injustice.
I’m curious. Period. I find everything interesting. Real life. Fake life. Objects. Flowers. Cats. But mostly people. If you keep your eyes open and your mind open, everything can be interesting. The secret is that there is no secret.
I remember meeting the photographer Brassaï. I was a young photographer. He said, “Take your time, look at things. Look carefully.” I liked the idea that it’s not the act; it’s what you have in mind before you take a picture.
How people need the possibility of sharing, of not being alone. It’s bad to be poor, but it’s difficult to be alone.
I would like to be remembered as a film-maker [who] enjoyed life, including pain. This is such a terrible world, but I keep the idea that every day should be interesting. What happens in my days – working, meeting people, listening – convinces me that it’s worth being alive.
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