It goes back to that music teacher when I was 12 years old. After the third lesson, I was singing some popular country song of the day. I forget the name. I think it was a Hank Williams, no, it was too early for Hank Williams, I guess. Whatever the song was, I didn’t sing it like the artist had sung it on the radio. And she said, “You’re a song stylist.” She said, “Always do it your way.” And from the age of 12, I didn’t forget that.

If I were to give advice to young people, high-achieving young people for example, I'd have to say, don't neglect your family. Politics is important, sitting at the head table is glamorous. Traveling around the world, trying to do something for world peace was wonderful. But family and friends and faith are what really matter in life. And I know that. I see it so clearly now. And so, as they climb the ladder of achievement, I'd simply say, remember what Barbara Bush told those girls at Wellesley: "What happens in your house is more important than what happens in the White House." And it's true. It's so 100 percent true.

I think some of the best advice I got as a young session musician — the first time I played on something — they came back and said, “Now just play me half of what you know. Okay, that was impressive, but that’s not what I need here.” So it’s really an exercise on what’s best going to serve the work in front of you, what’s the job that will do that the best.

Harris taught me a lot in that way. Another piece of advice from him was: “Don’t be afraid if your initial plan is not the best plan.” Say you’ve spent all this time and resources in one way, and all of a sudden this little simple idea comes up — do that! Don’t get trapped! Keep your eyes always open.

Laurel and I collaborated with director Katherine Helen Fisher and other talented artists on the dance film REVEL IN YOUR BODY and that continues to screen all over the world

I have reached the point in my career where I can choose my collaborators and the artists I want to create with. My Kinetic Light partners, Laurel Lawson and Michael Maag, are my dream collaborators, and Kinetic Light is the place, time, and people with whom I am making some of the most creative and meaningful work of my life.

I do not consider Kinetic Light’s work radical. It is not radical to imagine a disabled audience as primary and to make the work accessible to that audience. It is not radical to situate a work within disability history, culture, and traditions. Non-disabled artists do that all the time.

Obviously, it’s different for everyone. And actually there is a difference for each thing I do. But one way it happens is to just move. [ laughs ] I mean, obviously, you don’t just sort of randomly throw yourself around the room. You move with these ideas and sometimes I find that I’ve already got images in my head that I imagine my body in, or sometimes I have sequences in my head. I think a lot of time I’m listening to what comes next because sometimes the body will tell you that. Often I don’t document it too early in the process because sometimes if you forget stuff it’s worth knowing that the things that you forget maybe weren’t worth keeping. The things that have settled are the things that need to be kept because they seem most urgent. I don’t know. I mean, sometimes it’s about going to the studio and nothing happens for a long time and you just sit there and you’re not feeling it. That’s awful. It’s like when you’re writing and sometimes you go to the coffee shop and you’re like, “So, we’ll just see what happens.” And you end up on Facebook. I think the answer to this is… I really think the answer to this is I don’t know. [ laughs ]

My dance heroes include Kitty Lunn, one of my first teachers, Marc Brew, current Artistic Director of AXIS Dance Company, Judy Smith founding member and Artistic Director Emerita of AXIS, and Jawole Willa Jo Zollar the founder of Urban Bush Women. They are all innovators and activists in their own way.

I’m reading an odd collection of books that should not go together, but of course they do. Georgina Kleege: What Blindness Brings To Art; Fred Moten: Black and Blur; Theri Pickens: Black Madness :: Mad Blackness.