I was really happy because Rolex did something that was almost impossible: to organize it during a pandemic, to do it at such a high level, and to provide this financial aid to all these people… I was really proud.
Originally asked
Vogue, to one guest at a time, on camera, 73 Questions
Vogue's 73 Questions repeatedly asks respondents to select the work, relationship, or achievement that makes them proudest.
You answer as yourself. Nobody on FLAPSS answers as anybody else.
Academy of Achievement interview, New York, New York, 8 January 1991 source ↗
Others on this question
View all 106 →Well, I’m very proud, this is true, I mean. But, you know, it’s also being with the right people, in the right place, at the right moment. And, you know, it’s a team work too.
What makes me proudest about them is that they also don't get cynical about it. They have not assumed because their side didn't win, or because some of the values that they care about don't seem as if they were vindicated, that automatically America has somehow rejected them or rejected their values.
I'm most proud of maintaining my sense of identity, you know, because I had a lot of success, and the whole whirlwind sort of happened during very formative years for me,
More from Wynton Marsalis
View profile →Well, I am always trying to study, and when I came to New York, I was fortunate enough to meet Stanley Crouch, who is a writer. He had tremendous influence on me intellectually, because he had like a million books in his apartment, and a thousand records. So when I met him and saw all the records and books and stuff, and he didn’t graduate from college either, he just would voraciously read books. Every time I’d see him, he’d be talking about, “Hey, check this book out.” And I didn’t know any of that stuff, and I felt stupid when I was around him. And he knew more about the music than I did. I was 17 or 18, and he’d be saying “Well what about this record?” Him and also Albert Murray, who was Stanley Crouch’s mentor. Albert Murray has written the greatest books on jazz, Stomping the Blues, which is on blues, but it is one of the greatest books written about the poetics of jazz music, what the musician should be trying to do. And from having the opportunity to be around Stanley and Albert Murray, Stanley much more than Albert Murray, because I’m always too embarrassed to be around him, because he knows so much I always feel like I’m just in the way. But it really made me develop my intellectual curiosity, and Al Murray would give me books to read, and tell me where to go, and tell me about an important exhibit in town, “Go check this out.” I talk to Stanley almost every day. We never talk about just anything, it’s always something definite: “Did you check out this new Romare Bearden book that they put out?” He keeps me on a certain level of intellectual engagement. And always understand that you have to constantly work to develop your intellect, and just increase your curiosity.
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