I don’t put myself into that situation. I play and discover. You have to imagine a kid in a sandbox. You’re just having fun. You’re not expecting anything; you’re not looking for anything. You’re not following a trend; you don’t do something that needs to be similar to something else. It is actually from within yourself, which is endless. It’s like a kaleidoscope—you shake it and you have a bunch of new ways of doing things. So I think this block only happens to people who expect something, or who want something or are chasing something or who are trying to write something that sells or whatever. If you don’t look at all of these aspects, if you’re just having fun with notes, it doesn’t happen.

Just realizing that the block’s part of it. There’s always a week or two, or even a full month, where I’m convinced I’ll never write again, that everything was a fluke before. Or I’m writing, and I can’t tell if it’s inspired or shitty, but I don’t really freak out like I used to. I know that it’s just part of eventually figuring it out. It used to make me panic, but now I know it’s just what happens.

Oh, my god. Every day. I listen to a lot of podcasts about artists, screenwriting and stuff. Some people say they don’t get writer’s block. I’m like, “What the fuck? How?” I get writer’s block every day. I get stuck all the time because you always hit a road block. You think what you planned before was going to work out so smoothly and then you start writing and it doesn’t quite flow the way you want it to, or the structure may not be working. Happens all the time. But for me, I have a lot of people I trust and can bounce ideas off of… I’ll send the script to other filmmakers and ask their opinions. I have a lot of people that I trust and that I can really talk things out with. I think the thing that’s helped me the most is being able to talk it out.

I like to hammer on and get it done. That doesn’t mean you should rush it or be impatient. I’m very fortunate, because doing what I do, there is a matter of deadlines that come into place if I’m making a record. There is the pressure of having members of my band that I employ who have mortgages, and then management and record company who rely on me to deliver. But I’m glad to have that pressure. Again, it’s a privilege. It means I’m doing well, but it means I have to deliver. It gives you an endpoint.