You know, typically I like to draw when I’m in a good mood. It’s difficult for me to start a drawing when I’m not in a good mood because my work, in it’s essence, is very free and very light. For that to take place, you also have to feel quite free and quite light.
Originally asked
The Creative Independent, to working artists, its interview series
A recurring Creative Independent question whose wording distinguishes a lasting block from a temporary impasse.
You answer as yourself. Nobody on FLAPSS answers as anybody else.
Nic Juarez, The Creative Independent, 1 July 2026 source ↗
Others on this question
View all 66 →Yes. I try not to overdo it. I think it comes down to the people, and there are several people I take the time to talk with. Different types of friends. I also like the transportation time when I’m traveling, like on an airplane. Those times allow me to see things I was missing, when I was only looking at the outside. Perhaps I travel in seek of that.
You just have to remember that you’re a creator and not a machine. You just have to know when you’ve got to step aside and either move onto something else or just stop until the moment feels right again.
In my own life I think there are times when I’m not in the mood to write, but I don’t consider that to be writer’s block. If I really don’t want to enter my own book in progress, I’ll try to think about why and find a way around that. So I start from the beginning cleaning it up. Almost treat it like it’s a messy room and clean it up. Or if there’s a scene that I don’t want to write because it bums me out, maybe I’ll just work on a different scene and come back to it. Or I’m having trouble writing because I haven’t done enough research. So I go do the research. I try to troubleshoot, or figure out what the underlying reason is.
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